Even a genie can’t grant one man’s wish for tickets to the 2026 EuroLeague Final Four in this comedic campaign from the Greek bank.
The tech giant’s new campaign features five humorous spots in which monarchs are getting in various muddles that are all sorted by the new iPhone 17's capabilities.
A window cleaner gets a fleeting glimpse into the private worlds of an apartment block’s residents in this playful promo for Windows, the latest track from Foo Fighters.
The fin-tech platform has released a new campaign that beautifully explores the spark behind every new business, breakthrough idea or bold invention.
Leo Australia and Scoundrel director Sam Brown lean into theatrical performance and hand-crafted sets in a charming ad for the Australian Insurer.
A poetic film directed by Wukda follows the Norwegian artist as he journeys between Zanzibar and Oslo, exploring identity, memory and belonging.
The creative team at TBWA\Chiat\Day turns its surreal eye to the gummier side of life in these three wacky spots from Epoch's Carl Sundemo.
The ANORAK x ProdCo director plays with planks in this witty and delicately surreal spot from HeimatTBWA\.
Even a genie can’t grant one man’s wish for tickets to the 2026 EuroLeague Final Four in this comedic campaign from the Greek bank.
The tech giant’s new campaign features five humorous spots in which monarchs are getting in various muddles that are all sorted by the new iPhone 17's capabilities.
A window cleaner gets a fleeting glimpse into the private worlds of an apartment block’s residents in this playful promo for Windows, the latest track from Foo Fighters.
The fin-tech platform has released a new campaign that beautifully explores the spark behind every new business, breakthrough idea or bold invention.
Leo Australia and Scoundrel director Sam Brown lean into theatrical performance and hand-crafted sets in a charming ad for the Australian Insurer.
A poetic film directed by Wukda follows the Norwegian artist as he journeys between Zanzibar and Oslo, exploring identity, memory and belonging.
The creative team at TBWA\Chiat\Day turns its surreal eye to the gummier side of life in these three wacky spots from Epoch's Carl Sundemo.
The ANORAK x ProdCo director plays with planks in this witty and delicately surreal spot from HeimatTBWA\.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
Arriving in Mexico for a commercial shoot, director Rachel McDonald was disturbed by events unfolding in the US and, finding her feelings aligned with the ad’s choreographer, embarked on an ambitious dance film.
Created as a rallying call, drawing attention to the Barbara v. Trump Supreme Court hearing, The Beat took an already iconic Bruce Springsteen song and added another layer of ideological messaging to it. shots caught up with Stink director Anderson Wright to find out how he found the political pulse.
As part of our Movement Focus we take a closer look at ON's latest spot Keep It Moving, where we get the lowdown from magna studios director Ariel Fisher, and composer and sound designer Joaquin Pastor.
When Iron Maiden decided to set off on a world tour, they also decided to ramp up the live experience and introduce a new way of watching the band. Enter Partizan, Red Knuckles and a team of people who brought the Iron Maiden, its mascot and its songs to life for a new generation of fans.
The Oscar-nominated director and the choreographer Matt Steffens share how their viral dance video ResistDance, produced by Hungry Man, found a new way to express the anguish of the killings of Renée Good and Alex Pretti.
Vinson's directing style is characterised by fast-paced, kinetic visuals with dark undertones.
With a background that spans nearly every role on set, from runner to editor, gaffer to producer, Black’s directing is grounded in a deep, practical understanding of craft.
Moving across genres and mediums, Ko favours candor and genuine human behaviour and responses.
Sunada’s path into directing began in the art department, where she worked as a production designer, art director, and set dresser after graduating from Loyola Marymount University.
The Elements Music, Extreme Music, Supreme Music, and Walker top shortlist with three entries, as the competition readies for its May 20th gala.
Morris’ signing comes after many years as one of the region’s most successful freelancers, so the move to a permanent home marks an evolution of an already exciting career.
Vinson's directing style is characterised by fast-paced, kinetic visuals with dark undertones.
With a background that spans nearly every role on set, from runner to editor, gaffer to producer, Black’s directing is grounded in a deep, practical understanding of craft.
Moving across genres and mediums, Ko favours candor and genuine human behaviour and responses.
Sunada’s path into directing began in the art department, where she worked as a production designer, art director, and set dresser after graduating from Loyola Marymount University.
The Elements Music, Extreme Music, Supreme Music, and Walker top shortlist with three entries, as the competition readies for its May 20th gala.
Morris’ signing comes after many years as one of the region’s most successful freelancers, so the move to a permanent home marks an evolution of an already exciting career.
Best known for wrangling flames for the BBC and experimenting with ice, smoke and water for WWF, director and co-founder of Nomint, Yannis Konstantinidis, has mastered the art of elemental craft. Kicking off this month's Play Focus, he talks to Amy Hey about risk-taking, pyrotechnics and why difficult ideas deliver the greatest impact.
Currently associate artist at the Tracey Emin Foundation, Ted Rogers – choreographer/dancer/painter and all-round Renaissance polymath, who’s work includes promos and ads for brands such as Gucci, Very and Future Islands – is also a fine storyteller. Here they share with Carol Cooper their candid, moving tales of movement.
As founder of boutique motion agency Vucko, Andrew Vucko is a body language expert. But the bodies in question aren’t human – they’re global brands such as Google, Spotify and Intuit. He talks to shots about his ‘why’-driven approach and how brands are finally buying into the importance of motion identity.
Fabricio Soares, Senior Copywriter at Wieden+Kennedy Sao Paulo, selects renamed cities, sun-soaked bar stools and triangular football haircuts that he believes could lure some lions.
Cosmic Charlie Partner and Head of Creative Elinor Beltrone selects the racing sausages, doughy houses and rodent commuters which she believes could pick up awards this year.
As we draw inexorably closer to this year's Cannes Lions festival, we head to France to begin our annual appraisal of the year's most creative work, as Matthieu Bouilhot, Creative Director at BETC Paris, casts a critical eye over some of the country's best hopes for metalware.
Jelly's Hazel O'Brien fills us in on how luxury brands are using playful craft and whimsical animations to keep the space fun for creatives and audience alike.
Monthly round-ups, technique focusses and entertaining showreels, curated by the shots team.
Our monthly digital magazine, bringing you an indispensable look at specific territories, techniques and themes within the advertising industry.
Fill out the form below to arrange a personalized demo and see how shots can work for you...