Ever wondered what fills the world’s most creative minds?
Feed your inspiration with our regular columns.
The Good Times director opens the doors to his workshop and shares the stop-motion bodyslammers and crazed creations that fuel his creativity.
Having created soundtracks for ads, TV, documentaries, feature films and more, Senior Producer and Composer at The Futz Butler, Keith Bayley, makes some noise about his favourite music-makers, electronic textures and sonic adventures.
Joe Kinch, a director at Blue Zoo Animation London, talks YouTube's creative triggers, Netflix's animated eye-candy, and demon daddy long legs', as he reveals what's on his creative radar.
The Armoury director highlights the comics, clouds and cow poop that keep his creativity flowing.
This week we hear from Armoury directing duo Garra where they talk the promising future of the promo industry, working with the total package that is Rosalia, and sneaky people watching sessions...
From painterly pictures and broadway puppets to punky autobiographical films, Hornet animator and director Natalie Labarre shares work that pushes the hand drawn elements of animation and packs a surreal, metaphorical gut-punch.
On Location is a column that gives a boots-on-the-ground look at some amazing cities, brought to you by local production experts.
Ben Consmueller [left] and Ilia Lipsman, directing duo and Co-Founders at Far & Away, talk tech, TV and storytelling as they reveal what's on their creative radar.
The BITE Collective director/photographer takes us through the items that keep her creativity flowing.
Repped by Furlined, director Paco Cruz talks surreal spots, sharp timing, and the joys of making people laugh and cringe simultaneously.
Academy director Eugen Merher talks about the inspiring streets of LA, why advertising should be better at avoiding pigeon-holes, and how he almost went to space.
Sonic Union’s moggy-loving, skull-hoarding Mix Engineer, Julienne Guffain, talks us through the items that leave her feline creatively fresh.
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