Ever wondered what fills the world’s most creative minds?
Feed your inspiration with our regular columns.
For our latest Playlist, we hear from Nomad Editor Cami Starkman. Here she talks scroll-stopping music videos, the purity of editing, and cutting visuals for No Doubt’s residency at the Sphere.
Jackie Kelman Bisbee, Founding Partner of Park Pictures, on the advertising work that’s made an impression, the music video she believes is a “masterpiece”, and the enduring power of hair straighteners.
Vini Dalvi, CCO at Publicis Toronto, shares a selection of Canadian work he thinks could scoop awards at Cannes, including silent vehicles, sleep talkers and toothless smiles.
Chief Creative Officer at 72andSunny Toronto, Adam Reeves, casts an organic eye over some of AI's most creative digital offerings of the last year.
Even/Odd Co-Founder and director, Mohammad Gorjestani, celebrates a film that will "bend your understanding of what cinema can be", is inspired by the people of Iran, but might hunt you down if you don't put a coaster under your drink.
The Picture North director talks through the gremlins, grandfather's lamps and glass-half-full mantra that keep him creatively inspired.
On Location is a column that gives a boots-on-the-ground look at some amazing cities, brought to you by local production experts.
The MindsEye/WW7 director shares the notebooks, novelty hats and nightmare fuel that keep him on track.
With some striking visuals and stirring tracks, Annie Ayres, Head of Music at Untold Studios, picks her selection of the best music videos, ones she believes could become chart toppers at this year's Cannes Lions.
This week FORM director Phoebe May gives us the scoop on incoming changes within the music industry, some pop promo gems, and recreating Avril Lavigne videos.
Known for her bold storytelling across advertising, feature films and stop motion, Emerald Pictures director Nathalie Lamb talks about arthouse classics, modern masterpieces, and missing female role models.
Spark & Riot director Audrey Mascina is blown away by a Glazer classic and a Gondry new release, believes everyone should see Jane Campion's masterpiece, and wants more madness in advertising.
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