The Insight

Percipient thought-pieces and opinions from some
of the world’s most respected industry leaders.

shots editorial team by shots editorial team on 1st May 2026

Podcast face-off episode three sees Co-Editors Danny Edwards and Jamie Madge delve into the big bag of IP usage.

1st May
PLAY FOCUS
Tangibility: McDonald’s secret sauce for truly getting its message across

Tangibility: McDonald’s secret sauce for truly getting its message across

If being playful is a powerful brand asset, then McDonald's approach to it comes in the form of tangible, real-world campaigns that aim to deliver joy. And Cameron Russell, Head of Marketing at Marketreach, is loving it.

30th Apr
MOVEMENT FOCUS
There is a current that moves: Emotion, instinct and directing with feeling

There is a current that moves: Emotion, instinct and directing with feeling

Director Georgia Hudson reflects on movement beyond the physical, and how instinct, trust and human connection shape the work.

30th Apr
MOVEMENT FOCUS
Choreographing physics: Directing liquid in tabletop

Choreographing physics: Directing liquid in tabletop

Mateus De Paula Santos, CCO and Founder of Lobo, explores the craft of shaping liquid on screen, and why physics, not pixels, does the heavy lifting.

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Making motion matter in traditional sectors
24th Apr
MOVEMENT FOCUS

Making motion matter in traditional sectors

Creative Director at HB, Scott McGuffie, explains how designers can shift the conversation around motion to demonstrate its real value in helping audiences understand, interact and engage with professional services.

20th Apr
MOVEMENT FOCUS
What movement can teach us about releasing control

What movement can teach us about releasing control

Movement isn't just about what happens on the screen, says Sage Bennett, director at Greenpoint Pictures, it also includes the movement and evolution of those behind the lens. So, she says, sometimes you just have to let go.

17th Apr
Craft, chemistry and collaboration: What clients really value in production partners

Craft, chemistry and collaboration: What clients really value in production partners

To in-house, or not to in-house, that is the question. Or is it? asks Mark Harrison, Head of Creative at Postcode Lottery. The format, the technology and the people are just some of the things which need to be considered, and as long as great work is the destination, the route can alter.

14th Apr
MOVEMENT FOCUS
The language of movement

The language of movement

As Senior Motion Designer at Entropico, Toby Garrow sees movement through a motion design lens, where emotion, rhythm, and behaviour are distilled into their most essential forms and cinematography is connected to performance and intuition.

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Is AI the end of production, or a new beginning?
13th Apr

Is AI the end of production, or a new beginning?

Considering Omnicom and IPG’s recent job cuts and the AI revolution, Jon Williams, Founder and CEO of The Liberty Guild wonders if labour is reduced at scale, what replaces it? And if cost barriers fall, how will craft be redefined?

10th Apr
AI, production, and the value of perspective

AI, production, and the value of perspective

Artificial intelligence may make it seem that anything is possible but, says Alex Cowley, Head of Production at Neverland, that isn't always the case. It is a producer's job to bridge the gap between 'potential' and 'achievable', all while keeping craft at the forefront.

8th Apr
How to make brand-artist collaborations that don’t suck

How to make brand-artist collaborations that don’t suck

Oscar Eavis, co-founder and Strategy Director at creative agency Mox, argues that most brand-artist collaborations aren't collaborations, they're talent rentals with a sexy co-creation sticker on them, so what’s the secret to a successful partnership?

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