The Insight

Percipient thought-pieces and opinions from some
of the world’s most respected industry leaders.

Scott McGuffie by Scott McGuffie on 24th April 2026

Creative Director at HB, Scott McGuffie, explains how designers can shift the conversation around motion to demonstrate its real value in helping audiences understand, interact and engage with professional services.

20th Apr
MOVEMENT FOCUS
What movement can teach us about releasing control

What movement can teach us about releasing control

Movement isn't just about what happens on the screen, says Sage Bennett, director at Greenpoint Pictures, it also includes the movement and evolution of those behind the lens. So, she says, sometimes you just have to let go.

17th Apr
Craft, chemistry and collaboration: What clients really value in production partners

Craft, chemistry and collaboration: What clients really value in production partners

To in-house, or not to in-house, that is the question. Or is it? asks Mark Harrison, Head of Creative at Postcode Lottery. The format, the technology and the people are just some of the things which need to be considered, and as long as great work is the destination, the route can alter.

14th Apr
MOVEMENT FOCUS
The language of movement

The language of movement

As Senior Motion Designer at Entropico, Toby Garrow sees movement through a motion design lens, where emotion, rhythm, and behaviour are distilled into their most essential forms and cinematography is connected to performance and intuition.

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Is AI the end of production, or a new beginning?
13th Apr

Is AI the end of production, or a new beginning?

Considering Omnicom and IPG’s recent job cuts and the AI revolution, Jon Williams, Founder and CEO of The Liberty Guild wonders if labour is reduced at scale, what replaces it? And if cost barriers fall, how will craft be redefined?

10th Apr
AI, production, and the value of perspective

AI, production, and the value of perspective

Artificial intelligence may make it seem that anything is possible but, says Alex Cowley, Head of Production at Neverland, that isn't always the case. It is a producer's job to bridge the gap between 'potential' and 'achievable', all while keeping craft at the forefront.

8th Apr
How to make brand-artist collaborations that don’t suck

How to make brand-artist collaborations that don’t suck

Oscar Eavis, co-founder and Strategy Director at creative agency Mox, argues that most brand-artist collaborations aren't collaborations, they're talent rentals with a sexy co-creation sticker on them, so what’s the secret to a successful partnership?

8th Apr
Customer experience: Are brands using this sleeping giant?

Customer experience: Are brands using this sleeping giant?

Tom Primrose, Strategy Director at marketing consultancy and creative studio Nonsense, explores the often overlooked value of brands spending quality time with their customers.

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How brands should show up in women's sports
7th Apr

How brands should show up in women's sports

BANDIT Executive Producer Laura Relovsky explores why storytelling around female athletes is resonating more than ever.

2nd Apr
What SNL UK can teach marketers about cultural nuance

What SNL UK can teach marketers about cultural nuance

The hugely successful Saturday Night Live has recently travelled across the Pond from the US to the UK. But, says Dominic Dithurbide, VP of Marketing at MarketFully, success in one territory doesn't guarantee success elsewhere, a lesson advertising must pay heed to.

25th Mar
Independence in production isn’t inefficiency; it’s part of the value

Independence in production isn’t inefficiency; it’s part of the value

Droga5 London Head of Production Peter Montgomery argues that as agencies bring more production in-house, the industry risks undervaluing the independence, perspective and creative friction that external partners provide.

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