The Insight

Percipient thought-pieces and opinions from some
of the world’s most respected industry leaders.

Danny Edwards by Danny Edwards on 8th July 2026

Bose’s Jim Mollica talks about earning attention, moving from engineering-led messaging to emotional storytelling, and marketing to both head and heart.

7th Jul
Snapshots - Richard Glasson, WPP Production

Snapshots - Richard Glasson, WPP Production

shots Co-Editor Danny Edwards talks to WPP Production’s Richard Glasson about global production, independent partners, AI, emerging talent and making effective work beyond the awards spotlight.

3rd Jul
Using iconic content to build trust, authenticity and cultural resonance in the age of AI

Using iconic content to build trust, authenticity and cultural resonance in the age of AI

As AI-generated content becomes more abundant, culturally significant content becomes more valuable, says Sonia Bouadma, Founder of SB Licensing, who believes that leaning into authenticity is the way forward.

30th Jun
Cannes Lions 2026: Five takeaways from the Croisette

Cannes Lions 2026: Five takeaways from the Croisette

Having spent last week in Cannes, Managing Director & Executive Producer of Papaya Films, Iwona Mnich, lists the five most important lessons she brought back from the festival.

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Ideas > celebrities: What FMCG brands can learn from this year’s World Cup
30th Jun

Ideas > celebrities: What FMCG brands can learn from this year’s World Cup

Star power is in full force at this year's FIFA World Cup. But, argues Robert Volten, Managing Partner at Chuck Studios, that power is often overwhelming what should be the central performer; the idea.

24th Jun
Why is the advertising industry so addicted to celebrities who don’t care about advertising?

Why is the advertising industry so addicted to celebrities who don’t care about advertising?

A packed conference featuring talks from Mr Bean, Barry from EastEnders and a reanimated Josef Stalin might attract an audience but, really, what would that audience learn? shots’ Culture Editor Amy Kean takes the mic to bemoan the onslaught of on-stage celebs.

22nd Jun
Why bravery means business

Why bravery means business

What can brands learn from the likes of Harry Styles and Bad Bunny? Carmen Rodriguez, Global Chief Growth Officer and Partner at GUT notes their success represents a cultural shift away from safe mass appeal towards bold, participatory identity building.

19th Jun
Ciao, Panini: The future of collectables is both physical and digital

Ciao, Panini: The future of collectables is both physical and digital

The World Cup is upon us and, for households around the world, so too is the tradition of Panini sticker albums. But with Panini set to lose it's fifty-year-old license after 2030's tournament, Christina Miller, Chief Social Officer EMEA at VML, looks at the changing nature of collecting and what it means for marketers.

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TV’s comeback: Small brands, big opportunities, immediate results
19th Jun

TV’s comeback: Small brands, big opportunities, immediate results

Despite the continued growth of social media platforms and the fragmentation of media budgets, TV is still king when it comes to viewing time. Andreas Ohlbach, Head of Client Services at Transmission, believes that even smaller brands can successfully put their trust - and their money - on the screen.

18th Jun
The ad of God: Five principles to help win advertising's World Cup

The ad of God: Five principles to help win advertising's World Cup

If you're an England fan, you might want to look away now, because Ariel Abramovici and Bruno Acanfora, CCOs at GUT Los Angeles, brilliantly, but somewhat bruisingly for Three Lions fans, dissects Maradona's two goals against England at the 1986 World Cup and equates them to how brands should approach the world's biggest sporting event.

16th Jun
Prompt vs perspective: Cannes Lions and the war for creative authority

Prompt vs perspective: Cannes Lions and the war for creative authority

AI has flattened craft, shifting value from execution to judgement. The Moon Unit believes that, this year at the Cannes Lions, the industry will be forced to decide whether creativity is defined by what can be made, or by what’s truly worth making.

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