Willow Kane gets an eyeful of London
A mini-version of the artist Willow Kane takes a trip through London in this new promo for the track White City.
Credits
View on-
- Production Company Common People Films
- Director Thomas Davis
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Credits
View on- Production Company Common People Films
- Director Thomas Davis
- Colorist Dominic Phipps
- VFX ArtistBuilding Studios
- Executive Producer Ramy Dance
- Producer Jake River Parker
- Producer Rowan Mackintosh King
- DP Toby Leary
- Color Producer Chris Anthony / (Color Producer)
- Producer Aidan Brooks
- Art Director Bronte Carter
- 3D VFX Artist Rumah Sakit
- Editor Callum Pearson
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Credits
powered by- Production Company Common People Films
- Director Thomas Davis
- Colorist Dominic Phipps
- VFX ArtistBuilding Studios
- Executive Producer Ramy Dance
- Producer Jake River Parker
- Producer Rowan Mackintosh King
- DP Toby Leary
- Color Producer Chris Anthony / (Color Producer)
- Producer Aidan Brooks
- Art Director Bronte Carter
- 3D VFX Artist Rumah Sakit
- Editor Callum Pearson
Director Thomas Davis takes us on an unusual tour of London in this new promo for Willow Kane in which a younger version of the artist sees some unusual sights.
Produced through Common People Films, the video, for the track White City, features some strange looking 'eyeball monsters' as well as Kane cameoing as a postal worker and lollipop lady. The track is a personal one for Kane, focussing on her views of London when she first moved to the city, and Davis says he tried to recreate that feeling by developing the story further and also having us see the city from the perspective of a child’s imagination.
"This is the second video I’ve made for my good friend Willow Kayne," said Davis. "She hit me up with this idea she had of having a 'Mini-Me' version of herself mooch around the city of London. This video was super-ambitious to shoot in one day, but we managed to do it. Shout out to the production kings at Common People Films, who I can always trust to make my silly ideas become a reality.
"It was also a nice opportunity for me to start exploring with more CGI elements [and developing] worlds that feel mega-fun and hyper-realistic. I collaborated with 3D artist Hati Mas to help create our lovely eyeball monsters, and I think he did a bloody wonderful job. It’s quite a mental film that includes CGI monsters, spooky eyeballs, a big storm and an epic twist at the end."