Director Nick Ball helms an upbeat and brilliantly-choreographed campaign for the food delivery service that captures the excitement of answering the door to collect your order.
The US indie/folk singer songwriter releases a ravishing ocean-based promo for his track Mistakes.
The legendary motorcycle brand has launched an ingenious campaign to encourage uneasy riders – middle-aged bikers ignoring their health – to get their prostate glands looked at.
The 24-year-old west London rapper, producer and artist adds acting to his skillset as he appears in a hilarious video promoting his upcoming 'No Service' tour.
Pink Lady Apples launches a barking spot about a woman at a dog show who’s transformed by one bite into the popular pipped fruit.
Spring breakers are given a sobering list of enforcements in this clever spoof from VML to highlight the city’s rules and regulations.
A poignant animated campaign from the stain-remover brand portrays the invisible stains that bullying leaves on a child’s emotional wellbeing.
The Worst Girl Gang Ever Foundation, a UK-based charity supporting those affected by miscarriage and stillbirth, launches a powerful film about the shattered hopes that accompany the loss of a baby.
Director Nick Ball helms an upbeat and brilliantly-choreographed campaign for the food delivery service that captures the excitement of answering the door to collect your order.
The US indie/folk singer songwriter releases a ravishing ocean-based promo for his track Mistakes.
The legendary motorcycle brand has launched an ingenious campaign to encourage uneasy riders – middle-aged bikers ignoring their health – to get their prostate glands looked at.
The 24-year-old west London rapper, producer and artist adds acting to his skillset as he appears in a hilarious video promoting his upcoming 'No Service' tour.
Pink Lady Apples launches a barking spot about a woman at a dog show who’s transformed by one bite into the popular pipped fruit.
Spring breakers are given a sobering list of enforcements in this clever spoof from VML to highlight the city’s rules and regulations.
A poignant animated campaign from the stain-remover brand portrays the invisible stains that bullying leaves on a child’s emotional wellbeing.
The Worst Girl Gang Ever Foundation, a UK-based charity supporting those affected by miscarriage and stillbirth, launches a powerful film about the shattered hopes that accompany the loss of a baby.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
shots' Jamie Madge speaks to Go Daddy ECD Adam Nowak, Quality Meats' CCO Gordy Sang and Brian Siedband, and ProdCo director Ian Pons Jewell about the about the rug-pull Super Bowl campaign that had people clamouring over Walton Goggins' Goggle Glasses.
The Gifted Youth director's showstopping spot for Totino's brought the creative team from niche Netflix hit I Think You Should Leave to a massive Super Bowl audience... and then had them spit out their dips. We sat down with Mathias to find out how she rocked the Big Game's most anarchic spot.
With footage created entirely using AI, the Joyrider director's mesmerising music video for electronic artist Steve Moore is a modern re-imagination of the medieval Danse Macabre. Here, Robinson shares how he fast-tracked the filmmaking process, why creating with AI should be fun, and the surprising feedback the promo received on social media.
For its flagship Super Bowl spot, Uber Eats and agency Special Group enlisted Matthew McConaughey to explore a delicious conspiracy theory - that American Football was just a ruse invented to sell food. We sat down with O Positive director Jim Jenkins to get the skinny on how the era-jumping commercial was put together.
Co-directors Chris Buongiorno and Damian Kulash talk us through the extensive planning, numerical headaches, and mental stamina it took to shoot the A Stone Only Rolls Downhill music video.
Stitch announce the promotion of assistant editor Chris Wilson to the main commercial roster, marking an exciting milestone in his career with the company.
Derrick Ofosu Boateng, Andy Dixon, Robert LeBlanc, Eimear Lynch and Anastasia Samoylova all join the artist roster at Institute.
Moreno’s visual style is rooted in dynamic storytelling, infectious choreography, and female-driven pop culture narratives that captivate audiences.
Overcash brings over a decade of music production experience to Field Day. Based in Los Angeles, she will work in concert with partner and EP Leslie Carthy.
Sam Swisher becomes Managing Director, North America Original Content, and Jeana Muñoz also tapped as Global Head of Human Resources.
Previously working with Nomad as a freelancer, the sound designer and music composer joins to grow the audio department and shape Nomad's sound and music services.
Stitch announce the promotion of assistant editor Chris Wilson to the main commercial roster, marking an exciting milestone in his career with the company.
Derrick Ofosu Boateng, Andy Dixon, Robert LeBlanc, Eimear Lynch and Anastasia Samoylova all join the artist roster at Institute.
Moreno’s visual style is rooted in dynamic storytelling, infectious choreography, and female-driven pop culture narratives that captivate audiences.
Overcash brings over a decade of music production experience to Field Day. Based in Los Angeles, she will work in concert with partner and EP Leslie Carthy.
Sam Swisher becomes Managing Director, North America Original Content, and Jeana Muñoz also tapped as Global Head of Human Resources.
Previously working with Nomad as a freelancer, the sound designer and music composer joins to grow the audio department and shape Nomad's sound and music services.
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Request a demoshots Awards The Americas Head Judge for the New Director category, Doomsday's Danielle Hinde, talks about the music videos that brought her into the industry, how creativity has changed over the past year and what she looks for in a good jury.
Continuing our conversations with this year's shots Awards The Americas Head Judges, De La Revolución and new–land director/photographer Abdi Ibrahim explains that he'll be looking out for hidden messages, cohesive narratives and creative problem solving in his category– Music Video.
Kirsten Noll, Managing EP at Scholar and this year's Head Judge for the Animation & VFX category for the shots Awards The Americas, talks challenges, changes and being inspired by frogs.
We hear from Coffee & TV London colourist Tash Hicks, where she talk about her camera collection, the allure of the grading suite, and some cinematic videos.
Guy Savin, Senior Editor at Marshall Street Editors, on why the industry misses an advertising legend, the movie that paved his way into filmmaking, and the TV show that will always make him cry.
Ogilvy Madrid senior creative team Antonio Pelufo and Alba López Peláez talk us through the notebooks, coffee cups and lucky balls that keep them creatively inspired.
Talking to consumers is harder than ever, says Clare Turner, Chief Commercial Officer at Pearl & Dean. Too much noise, too many interruptions... but research suggests cinema can play a starring role, and not just on the screen.
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