The food brand’s lush, lyrical film gives the American Dream a Spanish flavour.
The rapper fronts original track The Team in a vibrant film from VML and Keane Pearce-Shaw.
This charming new film for the retailer extends the store’s slogan ‘Every Little Helps’ with a montage of all the ways Tesco supports community actions.
In a charming claymation spot for SpringWell, watery droplet Walter warbles a tune of cleanliness.
The premium travel goods brand releases a nostalgic campaign celebrating the mishaps that make travelling fun.
Director FX Goby helms a dreamy, hybrid film starring model and actress Adwoa Aboah, revealing the football club’s new kit for the 26/27 season.
The Japanese girl group takes on Tokyo as miniatures in a bold and brilliantly crafted music video directed by Mackenzie Sheppard.
A woman’s phone notifications become real-life interruptions in a fun campaign directed by Craig Gillespie for the tech brand.
The food brand’s lush, lyrical film gives the American Dream a Spanish flavour.
The rapper fronts original track The Team in a vibrant film from VML and Keane Pearce-Shaw.
This charming new film for the retailer extends the store’s slogan ‘Every Little Helps’ with a montage of all the ways Tesco supports community actions.
In a charming claymation spot for SpringWell, watery droplet Walter warbles a tune of cleanliness.
The premium travel goods brand releases a nostalgic campaign celebrating the mishaps that make travelling fun.
Director FX Goby helms a dreamy, hybrid film starring model and actress Adwoa Aboah, revealing the football club’s new kit for the 26/27 season.
The Japanese girl group takes on Tokyo as miniatures in a bold and brilliantly crafted music video directed by Mackenzie Sheppard.
A woman’s phone notifications become real-life interruptions in a fun campaign directed by Craig Gillespie for the tech brand.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
From puppeteered spheres to smoke-filled bubbles, bringing Honda’s Your Dreams Engineered campaign to life demanded as much ingenuity behind the camera as it celebrates on screen. Director Ryan Chun and Black Kite Studios’ VFX Supervisor Jonathan Box explain how they manifested a beautiful film about manifesting dreams.
Banjoman Films director Dermot Malone's recent film for the RNLI turned what was meant to be an instructional PSA into a moving story about a young man and the danger posed by the sea. Here, Malone talks about the project, its inception, and what brought him to tears when writing the final scene.
Director Vanessa Stachel talks us through how her sublime graduation film, The Nymph, created in partnership with Greenpeace, harnesses painstaking practical craftsmanship to personify humanity's destructive relationship with nature in a dark and haunting cautionary fable.
Jason Kreher, CCO of creative studio DE-YAN and Caroline Ingeborn, COO of Luma AI, discuss their collaboration on the Luma Dream Brief. This competition to create ads using Luma AI tools garnered entries from 400 creatives who were able to play around with the fanciful work they thought they’d never make.
A new film by director Arran Anyrin Bowyn is a dark, brooding short which explores quiet psychosis, the many layers of personality, and the curation of self. Here, he talks about the challenge of being subtle, the importance of sound design, and the power of quiet hysteria.
This month was hosted by Cordelia Grossman, alongside Sara Taleghani, Jessica Giles, Lauryn Raymond, and Jessica Gaynor.
Cali’s first project with Cabin is in production, a new spot for Kalshi directed by Craig Gillespie that will air later this year.
Through the partnership, Spy will represent a curated selection of Reset’s roster for commercial and branded content production in Canada.
The writer, director, producer and actor, joins the SixTwentySix team as a commercial director.
Colourist Winker has joined the collective for UK and US representation.
Lead Motion Designer Ed Christie joins, migrating fifteen years of design and animation acumen to his new home on Brick Lane.
This month was hosted by Cordelia Grossman, alongside Sara Taleghani, Jessica Giles, Lauryn Raymond, and Jessica Gaynor.
Cali’s first project with Cabin is in production, a new spot for Kalshi directed by Craig Gillespie that will air later this year.
Through the partnership, Spy will represent a curated selection of Reset’s roster for commercial and branded content production in Canada.
The writer, director, producer and actor, joins the SixTwentySix team as a commercial director.
Colourist Winker has joined the collective for UK and US representation.
Lead Motion Designer Ed Christie joins, migrating fifteen years of design and animation acumen to his new home on Brick Lane.
With press freedoms under threat, Elias Ben Dahhou, whose work for the Committee to Protect Journalists won YDA Gold in Film School, Passion Projects and Changing the World Frame by Frame, explains his mission to raise up the voices of those who’ve suffered from speaking out.
Director Tom Oliver won Gold Screen for Creative Use Of Sound at this years YDA. Here he shares how he fell into directing, used the power of post, and taking things one project at a time.
Picking up a Gold Screen in the Commercial category at the YDA, as well as a Cannes Lions Grand Prix, SMUGGLER director Olivia de Camps' spot for The Ordinary defies usual beauty commercial conventions. Here, she talks about bucking trends, taking chances and winning big.
Stefane Rosa, CEO of Prose on Pixels US, is a fan of Oura, a devotee of TikTok and an enthusiast of 80s music... but draws the line at "making stupid people famous".
The Cobblestone director shares the drums, drawings and deathly objects that shape his search for human truth.
Papaya Films director Christophe Dolcerocca believes the free pitching process is criminal, misses using Snapchat, and celebrates the fable-like properties of a Luc Besson film.
As a father, and as an agency owner, Aidan Gibbons, Executive Creative Director & Co-Founder of Not Just Any, is dismayed by the recent changes to the UK's Equality & Human Rights Commission's code of practice. In an industry - and a world - where there is no such thing as 'normal', will the new rules change that?
Monthly round-ups, technique focusses and entertaining showreels, curated by the shots team.
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