Raye takes time to reflect with Audemars Piguet
The British singer-songwriter contemplates the impact of music and people in her upbringing, in an introspective short film for the Swiss watchmaker.
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Credits
View on- Agency WMA/London
- Production Company Object & Animal
- Director Paul Herrmann
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Credits
View on- Agency WMA/London
- Production Company Object & Animal
- Director Paul Herrmann
- Editing Trim
- Post Production/Color/VFX Time Based Arts
- Creative Content Rikki Tailor
- Executive Producer Nick Calafato
- Producer Becki Powers
- Junior Producer Celia Hackford
- Executive Producer Morgan Clement
- Executive Producer Laura Hegarty
- Creative Director Marc Garreta Duarte
- Creative Director Moritz Conzen
- Producer Ozzi Sanderson
- Production Designer Lyndon Ogbourne
- DP Anna Franquesa-Solano
- Post Producer Tatyana Alexandra
- Editor Jacques Simon
- Post Producer Lily Baron
- 2D Lead Jamie Crofts
- Colorist Ruth Wardell
- Talent Raye
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Credits
powered by- Agency WMA/London
- Production Company Object & Animal
- Director Paul Herrmann
- Editing Trim
- Post Production/Color/VFX Time Based Arts
- Creative Content Rikki Tailor
- Executive Producer Nick Calafato
- Producer Becki Powers
- Junior Producer Celia Hackford
- Executive Producer Morgan Clement
- Executive Producer Laura Hegarty
- Creative Director Marc Garreta Duarte
- Creative Director Moritz Conzen
- Producer Ozzi Sanderson
- Production Designer Lyndon Ogbourne
- DP Anna Franquesa-Solano
- Post Producer Tatyana Alexandra
- Editor Jacques Simon
- Post Producer Lily Baron
- 2D Lead Jamie Crofts
- Colorist Ruth Wardell
- Talent Raye
Swiss Luxury watchmaker Audemars Piguet launches this reflective short film, created by WMA and directed by Paul Herrmann through Object & Animal, following RAYE in the weeks leading up to her opening night performance at the 60th Montreux Jazz Festival.
Shot across three days in London and titled No One Shapes Time Alone, the project goes beyond a standard documentary, weaving soulful storytelling and striking vignettes to build a poetic picture of Raye’s life through the people and places that have shaped her.
Herrmann’s visual language focusses on the quieter spaces between the performance - rehearsal rooms, backstage corridors, family gathered around a table - letting the film earn the stage rather than starting there.
