Playlist: MOM
We hear from Black Dog's directing duo MOM (Matt Plaxco and Rachel Larkin) where they talk maximising productivity without compromising quality, representation within the industry, and who cooks and cleans...
What's the best music video you've seen recently and why?
Doechii - Crazy stuns with its striking aesthetic and flawless choreography, while Camila Cabello - I Luv It leaves an even stronger mark.
The video’s controlled chaos mirrors the song's rebellious energy, with Cabello's raw attitude shining through. What sets it apart is its layered symbolism, rare in modern pop. A standout moment features a cop chopping down a tree, symbolising patriarchal control.
Later, the video reveals Cabello atop it, defiantly reclaiming agency. The video blends surreal visuals with sharp social commentary on gender roles and autonomy. I Luv It sparks real conversation in a world of glossy, surface-level pop videos.
Credits
powered by-
- Production Company CANADA/USA
- Director Nicolas Mendez
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Credits
powered by- Production Company CANADA/USA
- Director Nicolas Mendez
- Edit Company Modern Post
- Post Company Selected Works
- Sound Design IXYXI
- Colorist Daniel de Vue
- Executive Producer Charlotte Woodhead
- Executive Producer Callum Harrison
- Head of Production Alba Barneda
- Executive Producer Luigi Rossi
- Executive Producer Francesco Rizzo
- Producer Jake Agger
- DP Tim Lorentzen
- Production Designer Spencer Graves
- Editor Aitor Bigas
- Creative Director El Guincho

Credits
powered by- Production Company CANADA/USA
- Director Nicolas Mendez
- Edit Company Modern Post
- Post Company Selected Works
- Sound Design IXYXI
- Colorist Daniel de Vue
- Executive Producer Charlotte Woodhead
- Executive Producer Callum Harrison
- Head of Production Alba Barneda
- Executive Producer Luigi Rossi
- Executive Producer Francesco Rizzo
- Producer Jake Agger
- DP Tim Lorentzen
- Production Designer Spencer Graves
- Editor Aitor Bigas
- Creative Director El Guincho
What's the first music video you remember being impressed by?
The golden era of TRL left an indelible mark on us, with videos like Aaliyah - Try Again and Missy Elliott - Hot Boyz sparking my early love for music visuals.
But the one we revisit endlessly, and one that redefined our understanding of the art form, is Gesaffelstein - Pursuit. Directed by Fleur & Manu, the video is a hypnotic single-take, weaving visceral symbolism about voyeurism, human instinct, and the duality of violence and desire. Its unbroken tracking shot pulls viewers into a surreal underworld, where every frame feels like a fever dream balancing between chaos and control.
Credits
powered by-
- Production Company Division Paris
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Production Company Division Paris
- Artist Gesaffelstein
- Director Fleur & Manu
- Producer Jules de Chateleux

Credits
powered by- Production Company Division Paris
- Artist Gesaffelstein
- Director Fleur & Manu
- Producer Jules de Chateleux
And what's your all-time favourite music video?
Baby Keem - Issues is a minimalist masterpiece, using stark imagery to tell a powerful story. A lone figure on a bike race through a barren desert, chased by a helicopter’s spotlight, a symbol of systemic oppression. The dim streetlight where he once slept with his grandmother underscores his sacrifices, while the climax forces a heart-wrenching choice: surrender or face death.
Credits
powered by-
- Production Company Park Pictures
- Director Jake Schreier
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Production Company Park Pictures
- Director Jake Schreier
- Executive Producer Dave Free
- Executive Producer Jackie Kelman Bisbee
- Colorist Mikey Rossiter
- Producer Cody Ryder
- Producer Drew Scott
- DP Adam Newport-Berra | (DP)
- Sound Designer Paul Hsu
- Producer Jamie Rabineau
- Production Designer Nucalifornia

Credits
powered by- Production Company Park Pictures
- Director Jake Schreier
- Executive Producer Dave Free
- Executive Producer Jackie Kelman Bisbee
- Colorist Mikey Rossiter
- Producer Cody Ryder
- Producer Drew Scott
- DP Adam Newport-Berra | (DP)
- Sound Designer Paul Hsu
- Producer Jamie Rabineau
- Production Designer Nucalifornia
What other directors/artists do you look to for inspiration?
Narrowing it down is tough, but a few names stand out: Terrence Malick, Solomon Lighthelm, Sterlin Harjo, Hito Steyerl, and Nicholas Galanin would be the ones who come to mind. Each of these artists brings a unique perspective, yet they all share a gift for evoking deep emotion through striking work.
Sterlin Harjo is particularly notable for his commitment to authentic representation, hiring an almost entirely Native cast and crew, while Nicholas Galanin’s Native Land left a lasting impression on us, its Hollywood-style sign on Native land is a bold, large-scale statement that powerfully centres the land-back movement. We deeply admire this kind of work and strive to create with the same level of meaning and impact.
What are you listening to at the moment?
We listen to a wide range of music across genres and moods. Lately, we've been drawn to the introspective sounds of Raye, Ama Lou, Leon Thomas, FKA twigs, and Orion Sun, while also exploring the electronic textures of Gordo and Tourist. Dave brings infectious energy and sharp storytelling on the rap side, while Mogwai's atmospheric post-rock offers a completely different, immersive experience.
Credits
powered by-
- Production Company Field Trip/Los Angeles
- Director Sarah C Prinz
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Credits
powered by- Production Company Field Trip/Los Angeles
- Director Sarah C Prinz
- Visual Effects V01 STUDIO
- Executive Producer Eli Raskin
- Executive Producer Nance Messineo
- Executive Producer Anthony Top Dawg Tiffith
- Executive Producer Anthony Moosa Tiffith Jr
- DP Mika Altskan
- Production Designer Brielle Hubert
- Editor Armen Harootun
- Choreographer Tyrik Patterson
- Colorist Dante Pasquinelli
- Sound Designer Christian Stropko

Credits
powered by- Production Company Field Trip/Los Angeles
- Director Sarah C Prinz
- Visual Effects V01 STUDIO
- Executive Producer Eli Raskin
- Executive Producer Nance Messineo
- Executive Producer Anthony Top Dawg Tiffith
- Executive Producer Anthony Moosa Tiffith Jr
- DP Mika Altskan
- Production Designer Brielle Hubert
- Editor Armen Harootun
- Choreographer Tyrik Patterson
- Colorist Dante Pasquinelli
- Sound Designer Christian Stropko
What's your favourite bit of tech, whether for professional or personal use?
Our wireless communication system is essential to how we work. We use a personal seven-headset comm system on every set, ensuring seamless and efficient collaboration. In an industry where time is precious, staying in constant contact with the entire team is essential, it keeps workflows smooth and allows us to maintain a calm, focused environment. With this system, there's no need to raise your voice or disrupt the set; communication is clear, immediate, and effortless, no matter the distance.
What artist(s) would you most like to work with and why?
Sevdaliza is a visionary. Her ability to address complex themes through a uniquely expressive lens is rare in the music video space. Her work is both thought-provoking and visually striking. As a mother, she brings a deeply personal perspective to her art, often exploring motherhood with raw emotion and depth. This adds another layer of meaning to her work, allowing audiences to connect with her on a profound level.
Credits
powered by- Director MOM
- Executive Producer/President Luke Ricci
- Executive Producer Jeff Pantaleo
- Executive Producer Molly Bohas
- Editor Jorge Sandoval
- Colorist Carlos Flores
- Sound Designer & Mixer Janet Urban

Credits
powered by- Director MOM
- Executive Producer/President Luke Ricci
- Executive Producer Jeff Pantaleo
- Executive Producer Molly Bohas
- Editor Jorge Sandoval
- Colorist Carlos Flores
- Sound Designer & Mixer Janet Urban
How do you feel the promo industry has changed since you started in it?
We are increasingly asked to complete multiple deliverables in a single day, often including a music video, a photo shoot, and an interview all within the same shoot. This level of demand requires efficiency, adaptability, and a deep understanding of various creative processes. Fortunately, Matt and I are in a unique position, as our combined experience spans multiple disciplines. This allows us to divide responsibilities effectively, maximising productivity without compromising quality.
Where do you see the music video industry being in five years' time?
This is essentially a continuation of the previous point. There will undoubtedly be a push to incorporate cutting-edge technology, such as AI, into projects. However, the real shift we're seeing is the increasing demand for multiple deliverables, which we expect to become the industry standard moving forward.
Tell us one thing about yourself that most people won't know…
Ray cleans, Matt cooks, we are MOM.