Peer Review: Luying Dong

Who are three contemporaries that you admire? 

I admire Yorgos Lanthimos—his films are just so weird and experimental, in the best way possible. There’s always something bizarre happening but it never feels out of place. I love how he fully commits to his unique style, making his work instantly recognisable. 

 I admire the courage of the director and editor for committing to this unique approach. 

Peggy Gou is another. Her music has this almost ethereal quality. It’s infectious, energetic, and just makes you want to move. The energy she brings when she plays live is insane. 

And then there’s Satoshi Kon, the animation director behind Perfect Blue and Millennium Actress. His films are so surreal and unpredictable, and somehow, they always hit me emotionally.  No matter how many times I watch his work, it always hits me on a deep level, I swear, I end up crying every time!

Above: Trailer for The Handmaiden, directed by Park Chan-wook.

Please share 3-4 pieces of work that exemplify great editing 

The Handmaiden (Park Chan-wook) – The editing in the film often takes me by surprise and feels raw, creating an emotional impact. I love how the pacing itself evokes very strong feelings for me. 

I like how I approach all my work with an out-of-the-box thinking style. It challenges me to think in unconventional ways, especially since most of my work involves experimental dance and art films.

A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson) – The editing relies on patience, with very long and static shots, yet it keeps you fully engaged. I admire the courage of the director and editor for committing to this unique approach. 

LE SSERAFIM – EASY – A Kpop music video. The whole visual is just insane. The editing consists of rapid, millisecond cuts, yet when combined with the VFX, it feels like a visual gourmet meal. Every element is meticulously crafted to enhance the energy of the song. 

What has your career journey been like so far? 

I’d say very lucky, I’ve always been surrounded by incredibly creative and optimistic people who have consistently supported me and pushed me to grow. Working at an independent post-house now, I do feel constantly supported by my team who give me opportunities despite being a relatively new editor. It’s rare but a perfect environment to grow in. 

There are too many great editors in the world. I think every editor shines in their own way, so to me, there is no single greatest editor. 

What do you like most about the work you do? 

I like how I approach all my work with an out-of-the-box thinking style. It challenges me to think in unconventional ways, especially since most of my work involves experimental dance and art films. I enjoy giving the director the satisfaction of seeing their work interpreted in a completely different way, still elevating their vision but often sometimes in ways they didn’t expect which I enjoy.

Above: Trailer for A Pigeon Sat on a Branch Reflecting on Existence, directed by Roy Andersson.