Of Monsters and Men’s melancholy house mouse
BAFTA-winning Partizan director Honor Price helms a tactile and atmospheric stop-motion promo for the band’s tracks The Block and Mouse Parade.
Credits
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- Production Company Partizan/London
- Director Honor Price
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Credits
View on- Production Company Partizan/London
- Director Honor Price
- Executive Producer/Managing Director Jenny Beckett
- Head of Production Ella More O'Ferrall
- Executive Producer Danny Herman
- Executive Producer Duncan Gaman
- Post Production Second Home Studios
- Puppets/Stop-Motion Animator Honor Price
- Producer Leo Green
- Production Designer Sehar Kidwai
- DP Rob O’Kelly
- VFX/Colorist Rob Brown
- Stop-Motion Animator Paul Flannery
- Puppets Ellen Beaufoy
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Credits
powered by- Production Company Partizan/London
- Director Honor Price
- Executive Producer/Managing Director Jenny Beckett
- Head of Production Ella More O'Ferrall
- Executive Producer Danny Herman
- Executive Producer Duncan Gaman
- Post Production Second Home Studios
- Puppets/Stop-Motion Animator Honor Price
- Producer Leo Green
- Production Designer Sehar Kidwai
- DP Rob O’Kelly
- VFX/Colorist Rob Brown
- Stop-Motion Animator Paul Flannery
- Puppets Ellen Beaufoy
Fresh from her BAFTA win, Partizan director Honor Price brings her whimsical vision to a contemplative, hand-crafted two-part album sequence for Icelandic folk band Of Monsters And Men, set to tracks The Block and Mouse Parade.
Realised through richly textured, eccentric stop-motion animation, the surreal tale unfolds across two parallel worlds: above ground, we see emotionless humans with rodent-like features while below, sentient, humanlike mice inhabit an intricate subterranean society.
Neither species is entirely human nor wholly rodent, yet each is rendered in exquisite and uncanny detail, creating a sense of narrative ambiguity and shrouding the characters in an eerie, reflective atmosphere.
Price was drawn to the emotional duality in the songs: “I was thrilled to create this two-part film for Of Monsters and Men - building two parallel worlds through stop motion, puppetry, and layered multiplane sets.”
“We were excited to make the bulk of the entire video by hand using traditional handcrafted animation methods - specifically stop-motion, puppetry, and multiplane. By layering real sets on glass and compositing rod puppets into them, we created a fully tactile, dimensional world that we think evokes the themes and emotion of the tracks.”