Hilarity or calamity? A comedian’s view of this year’s Christmas commercials
Award-winning British comedian, actor, writer and star of Mock the Week, Have I Got News for You, Pointless and more, Ria Lina casts her star-rated chuckle-ometer over this year’s Christmas ads.
It’s that time again, time to grab a bowl of popcorn, snuggle up with a blanket (sleeves are required for peak comfort), and settle on the sofa to watch... the ads.
They are often the best part of the whole holiday! Don't get me wrong, putting on Die Hard is a much loved family tradition, but it's the ads that are going to move us, make us laugh, and occasionally, make us cry. And sometimes they might even make us shop!
It’s delightful to see brands utilising humour (or at least trying to – points awarded for effort). Let’s see what the brands have to offer us this year in the way of lols.
ALDI: Kevin the Carrot/Saving the Holiday Spirit – 3.5 stars
Aldi really are a ubiquitous brand, evidenced by their ability to push narrative to the forefront and branding and product to the periphery. We in the UK get a couple of mini episodes of Kevin the Carrot in what appears to be an ongoing soap opera of his life. These rely on the audience’s knowledge of the association between Kevin and the brand, and are kinda cute.
Why are there multiple Santas and why is one of them Italian?
In the American market, the advert is pushing the low prices of Aldi with the metaphor of saving a hapless Santa from disaster. Short and comical, the ads says what they want to say.
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- Production Company UNIT9/London
- Director CODA
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- Production Company UNIT9/London
- Director CODA
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END: A Very Merry END – 2 stars
I fear that two ideas have been conflated in this advert: the idea that Santa needs help getting last minute presents (we never find out why) and the idea that a team needs to work together (I think) although… Why are there multiple Santas and why is one of them Italian?
I don’t recognise any of the actors, but it feels like a bunch of footballers playing Santa – which could be fun – but why are they out shopping last minute? Or are they actually Santa? All of them? Funny but in a strange way…
How will Boots beat this gag next year
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View on- Agency BBH/London
- Production Company Biscuit Filmworks/UK
- Director Jeff Low
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View on- Agency BBH/London
- Production Company Biscuit Filmworks/UK
- Director Jeff Low
- Editing Trim
- VFX Selected Works
- Audio Post 750mph
- Music Black Sheep Studios (In-House at BBH/London)
- Executive Creative Director Felipe Serradourada Guimaraes
- Creative Director Gary McCreadie
- Creative Ashley Hamilton
- Creative Sara Sutherland
- Senior Producer Alen Grebovic
- Founding Partner Shawn Lacy
- Managing Director Rupert Reynolds-MacLean
- Executive Producer Hanna Bayatti
- Head of Production Emily Atterton
- Production Manager Patch Wadsworth
- Production Designer Arthur De Borman
- DP Tom Townend
- Editor Peter Sciberras
- Producer Noreen Khan
- VFX Supervisor Francois Roisin
- Executive Producer Alex Fitzgerald
- VFX Producer Solomon Tiigah
- 2D Lead Artist Peter Hodsman
- Colorist Hannibal Lang
- Sound Designer & Mix Sam Ashwell
- Sound Designer Jake Ashwell
- Audio Producer Olivia Ray
- Music Supervisor Hywel Evans
- Music Supervisor Imogen Pring
- Voice Over John Bishop
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powered by- Agency BBH/London
- Production Company Biscuit Filmworks/UK
- Director Jeff Low
- Editing Trim
- VFX Selected Works
- Audio Post 750mph
- Music Black Sheep Studios (In-House at BBH/London)
- Executive Creative Director Felipe Serradourada Guimaraes
- Creative Director Gary McCreadie
- Creative Ashley Hamilton
- Creative Sara Sutherland
- Senior Producer Alen Grebovic
- Founding Partner Shawn Lacy
- Managing Director Rupert Reynolds-MacLean
- Executive Producer Hanna Bayatti
- Head of Production Emily Atterton
- Production Manager Patch Wadsworth
- Production Designer Arthur De Borman
- DP Tom Townend
- Editor Peter Sciberras
- Producer Noreen Khan
- VFX Supervisor Francois Roisin
- Executive Producer Alex Fitzgerald
- VFX Producer Solomon Tiigah
- 2D Lead Artist Peter Hodsman
- Colorist Hannibal Lang
- Sound Designer & Mix Sam Ashwell
- Sound Designer Jake Ashwell
- Audio Producer Olivia Ray
- Music Supervisor Hywel Evans
- Music Supervisor Imogen Pring
- Voice Over John Bishop
Tesco: That’s What Makes It Christmas - 2.5 stars
I understand exactly what Tesco was trying to achieve – let’s point out all the awkwardness of Christmas and find the funny in it.
But a setup is only half a joke, some would argue the less important half, and you still need a punchline or at least a resolution; so for me, this ad misses the mark.
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- Production Company SMUGGLER/London
- Director Guy Shelmerdine
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View on- Production Company SMUGGLER/London
- Director Guy Shelmerdine
- Producer Nick Sutherland-Dodd
- Editing Shift Post
- Editor Saam Hodivala
- VFX Company Selected Works
- VFX Supervisor Jonathan Westley
- VFX Supervisor Adame Boutrif
- VFX Supervisor Kieran Russell
- Talent/VO Dawn French
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powered by- Production Company SMUGGLER/London
- Director Guy Shelmerdine
- Producer Nick Sutherland-Dodd
- Editing Shift Post
- Editor Saam Hodivala
- VFX Company Selected Works
- VFX Supervisor Jonathan Westley
- VFX Supervisor Adame Boutrif
- VFX Supervisor Kieran Russell
- Talent/VO Dawn French
M&S Food: Traffic Jamming - 3.5 stars
Marks & Spencer’s decision to bring Dawn French back for another year screams second album blues. Don’t get me wrong, SHE is fantastic. A goddess of comedy and nuance she plays her part to perfection.
It’s well done, the Tom Kerridge cameo was a nice touch, but despite it being Christmas, it still is just an ad. Last year, Dawn’s involvement was inspiration, this year, it’s just logistics.
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View on- Agency The Pharm/London
- Production Company Outsider
- Director Dom&Nic
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- Production Company Outsider
- Director Dom&Nic
- Ad Agency VML/London
- Producer John Madsen
- Editing Final Cut/London
- Editor Ed Cheesman
- Post Production RASCAL
- Animation RASCAL
- SFX MachineShop
- Executive Creative Director Juliana Paracencio
- Creative Director Gary Arnold
- Associate Creative Director Pete Bastiman
- Associate Creative Director Bish (David) Aylesbury
- Producer Eleanor Hardcastle
- Executive Producer Susie Innes
- Production Designer John Beard
- DP Simon Chaudoir
- VFX Lead Andy Steele
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powered by- Agency The Pharm/London
- Production Company Outsider
- Director Dom&Nic
- Ad Agency VML/London
- Producer John Madsen
- Editing Final Cut/London
- Editor Ed Cheesman
- Post Production RASCAL
- Animation RASCAL
- SFX MachineShop
- Executive Creative Director Juliana Paracencio
- Creative Director Gary Arnold
- Associate Creative Director Pete Bastiman
- Associate Creative Director Bish (David) Aylesbury
- Producer Eleanor Hardcastle
- Executive Producer Susie Innes
- Production Designer John Beard
- DP Simon Chaudoir
- VFX Lead Andy Steele
Boots: Gift Happily Ever After - 3.5 stars
How will Boots beat this gag next year? Continuing on from last year’s loose fantasy theme (a kick-ass Mrs Claus running the show) we follow Puss as he solves all his Christmas shopping needs… in Boots.
[Argos’s] mockumentary-style episodic shorts about a contemporary art gallery team, Arghaűs, are witty and original.
It really is crazy that Boots hasn't done this idea before. A fun ad, that doesn’t totally make sense (why did everything hang on whether or not the Snow Queen liked her gift?) but that will be hard to beat next year.
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View on- Agency T&Pm/London
- Production Company Hungry Man
- Director David Kerr
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View on- Agency T&Pm/London
- Production Company Hungry Man
- Director David Kerr
- VFX Studio Electric Theatre Collective
- Audio Post Production Wave Studios/London
- Producer Camilla Cullen
- Executive Creative Directors Matthew Moreland
- Executive Creative Directors Chris Clarke
- Associate Creative Directors Ben Fallows
- Associate Creative Directors Matt Deacon
- Creatives Melissa Destefano
- Creatives Andrea Rambert
- Chief Production Officer Charles Crisp
- Senior Agency Producer Charlie Thacker
- Executive Producer Jo Maitland-Robinson
- Production Designer Olly Williams
- Managing Partner Matt Buels
- Director Of Photography Haris Zambarloukos
- Editor Adam Spivey
- Offline Producer Phoebe Armstrong Beaver
- Executive Producer Vic Lovejoy
- Senior Producer Rosalien van der Bom
- Creative Director Dean Robinson
- Animation Supervisor Andras Ormos
- CG Supervisor Matteo La Motta
- Colourist Luke Morrison
- Sound Designer Munzie Thind
- Audio Producer Hils Macdonald
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powered by- Agency T&Pm/London
- Production Company Hungry Man
- Director David Kerr
- VFX Studio Electric Theatre Collective
- Audio Post Production Wave Studios/London
- Producer Camilla Cullen
- Executive Creative Directors Matthew Moreland
- Executive Creative Directors Chris Clarke
- Associate Creative Directors Ben Fallows
- Associate Creative Directors Matt Deacon
- Creatives Melissa Destefano
- Creatives Andrea Rambert
- Chief Production Officer Charles Crisp
- Senior Agency Producer Charlie Thacker
- Executive Producer Jo Maitland-Robinson
- Production Designer Olly Williams
- Managing Partner Matt Buels
- Director Of Photography Haris Zambarloukos
- Editor Adam Spivey
- Offline Producer Phoebe Armstrong Beaver
- Executive Producer Vic Lovejoy
- Senior Producer Rosalien van der Bom
- Creative Director Dean Robinson
- Animation Supervisor Andras Ormos
- CG Supervisor Matteo La Motta
- Colourist Luke Morrison
- Sound Designer Munzie Thind
- Audio Producer Hils Macdonald
Argos: Christmas Drive - 3 stars
Advert wise, Argos have been branching out this year. We have seen a commitment to the dinosaur/doll duo that must test well with a demographic that I don’t belong to. Plus, their mockumentary-style episodic shorts about a contemporary art gallery team, Arghaűs, are witty and original.
I didn’t need Wallace to be stripped to his undies.
Their Xmas ad, however, plays it safe and starts with Simon Bird espousing the myth that Argos only sells toys. The ad is ok, we love to see a familiar face, but building on the budding love story in the Arg Haűs series would have been more fun.
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View on- Agency FCB/Chicago
- Production Company Caviar/Los Angeles
- Director Jody Hill
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View on- Agency FCB/Chicago
- Production Company Caviar/Los Angeles
- Director Jody Hill
- Editing The Colonie
- Color Loom Post
- Sound Another Country
- Executive Creative Director Desmond LaVelle
- Creative Director Janna Carney
- Creative Director Nok Sangdee
- Copywriter Ken Bates
- Copywriter John Deike
- Chief Creative Officer Andres Ordonez
- Managing Director Michael Sagol
- Producer Bernard Rahill
- DP Paul Daley
- Editor Bob Ackerman
- Executive Producer Zach Day
- Producer Amber Ventris
- Colorist Brandon Chavez
- Sound Designer Peter Erazmus
- Producer Josh Hunnicutt
- Talent Macaulay Culkin
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powered by- Agency FCB/Chicago
- Production Company Caviar/Los Angeles
- Director Jody Hill
- Editing The Colonie
- Color Loom Post
- Sound Another Country
- Executive Creative Director Desmond LaVelle
- Creative Director Janna Carney
- Creative Director Nok Sangdee
- Copywriter Ken Bates
- Copywriter John Deike
- Chief Creative Officer Andres Ordonez
- Managing Director Michael Sagol
- Producer Bernard Rahill
- DP Paul Daley
- Editor Bob Ackerman
- Executive Producer Zach Day
- Producer Amber Ventris
- Colorist Brandon Chavez
- Sound Designer Peter Erazmus
- Producer Josh Hunnicutt
- Talent Macaulay Culkin
Home Instead: Home But Not Alone – 4 stars
This was a cute call back to another great Christmas movie, Home Alone. We see a grown-up Kevin (played by Macauley Culkin himself) bubble wrapping the Christmas decorations outside his ageing mother’s snow-laden house to protect her.
It’s succinct, it’s messaging is clear, it doesn’t push the product in our face, but does build brand trust. This was a fun and effective way of cross marketing with an old classic.
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View on- Agency Lucky Generals/London
- Production Company Curate Films
- Director Dexter Fletcher
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View on- Agency Lucky Generals/London
- Production Company Curate Films
- Director Dexter Fletcher
- Editing Marshall Street Editors (MSE)
- Editor Tim Thornton-Allan
- Editor Hannah Yerbury
- Post Production/Color/VFX 1920
- Post Producer Ross Culligan
- VFX Artist Ryan Hadfield
- Colorist Kai Van Beers
- Sound No.8
- Sound Producer Karen Noden
- Sound Engineer Sam Robson
- Producer Clara Bennett
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powered by- Agency Lucky Generals/London
- Production Company Curate Films
- Director Dexter Fletcher
- Editing Marshall Street Editors (MSE)
- Editor Tim Thornton-Allan
- Editor Hannah Yerbury
- Post Production/Color/VFX 1920
- Post Producer Ross Culligan
- VFX Artist Ryan Hadfield
- Colorist Kai Van Beers
- Sound No.8
- Sound Producer Karen Noden
- Sound Engineer Sam Robson
- Producer Clara Bennett
ASDA: The Grinch – 4 stars
Who doesn’t love a musical? This was a well chosen idea that is competitive in the field of Xmas commercials. A lovely combination of Green Grinch/Green ASDA /things are expensive/he’s a Grinch/but ASDA is affordable/he becomes human. Fun to watch, the 90 seconds fly by.
I didn’t need Wallace to be stripped to his undies at the end (family show!), it felt a little off-brand
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Barbour: The Gift-o-matic - 4 stars
Barbour has collaborated with the Wallace and Gromit team to create a very watchable little sketch. For me it could have stopped one step sooner, I didn’t need Wallace to be stripped to his undies at the end (family show!), it felt a little off-brand for him, but I suspect that was the scarf people pushing for more scarf action, and at the end of the day, they were the ones footing the bill.
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View on- Agency Wonderhood Studios/London
- Production Company Biscuit Filmworks/UK
- Director Molly Manners
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View on- Agency Wonderhood Studios/London
- Production Company Biscuit Filmworks/UK
- Director Molly Manners
- Editing Shift Post
- Post Production Time Based Arts
- Audio Post Runamok Studios
- Music Supervision Native Music Supervision & Production
- Brand
- Chief Customer Officer Nathan Ansell
- Chief Creative Officer/Founder Aidan McClure
- Executive Creative Director Stacey Bird
- Executive Creative Director Jack Croft
- Senior Creative/Writer Jennifer Ashton
- Senior Creative/Writer Oliver Short
- Creative Holly Nash
- Creative Alysha Radia
- Lead Senior Producer Nikki Holbrow
- Senior Producer Alice Konstam
- Senior Producer Henry Davies
- Producer Stefanie Forbes
- Founding Partner Shawn Lacy
- Managing Director Rupert Reynolds-MacLean
- Executive Producer Hanna Bayatti
- Head of Production Emily Atterton
- Production Manager Ada Almeida
- Production Designer Fiona Crombie
- Producer Peter Knowles
- DP Benedict Spence
- Editor Saam Hodivala
- Editor Joanna Lewandowska
- Editor Rob McGuire
- Executive Producer Kirsty Oldfield
- VFX Artist Sheldon Gardner
- VFX Artist Miguel Wratten
- Senior VFX Producer Matthew Squires
- VFX Producer Mia Saunders
- Colorist Simone Grattarola
- Sound Designer Jon Clarke
- Executive Producer Lucy Spong
- Executive Producer Ornela Peka
- Talent Keira Knightley
- Talent Joe Wilkinson / (Talent)
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powered by- Agency Wonderhood Studios/London
- Production Company Biscuit Filmworks/UK
- Director Molly Manners
- Editing Shift Post
- Post Production Time Based Arts
- Audio Post Runamok Studios
- Music Supervision Native Music Supervision & Production
- Brand
- Chief Customer Officer Nathan Ansell
- Chief Creative Officer/Founder Aidan McClure
- Executive Creative Director Stacey Bird
- Executive Creative Director Jack Croft
- Senior Creative/Writer Jennifer Ashton
- Senior Creative/Writer Oliver Short
- Creative Holly Nash
- Creative Alysha Radia
- Lead Senior Producer Nikki Holbrow
- Senior Producer Alice Konstam
- Senior Producer Henry Davies
- Producer Stefanie Forbes
- Founding Partner Shawn Lacy
- Managing Director Rupert Reynolds-MacLean
- Executive Producer Hanna Bayatti
- Head of Production Emily Atterton
- Production Manager Ada Almeida
- Production Designer Fiona Crombie
- Producer Peter Knowles
- DP Benedict Spence
- Editor Saam Hodivala
- Editor Joanna Lewandowska
- Editor Rob McGuire
- Executive Producer Kirsty Oldfield
- VFX Artist Sheldon Gardner
- VFX Artist Miguel Wratten
- Senior VFX Producer Matthew Squires
- VFX Producer Mia Saunders
- Colorist Simone Grattarola
- Sound Designer Jon Clarke
- Executive Producer Lucy Spong
- Executive Producer Ornela Peka
- Talent Keira Knightley
- Talent Joe Wilkinson / (Talent)
WAITROSE: The Perfect Gift - 5 stars
In this ad we see Joe Wilkinson (who is everywhere and just winning at life right now) play the role of Phil in the ultimate beta-male fantasy of getting Keira Knightley (playing herself) to love him back.
An engaging mini-romance ‘movie’ with subtle nods to the brand without being too in your face about it, we can even forgive the rather tired Love Actually doorstop proclamation of love given the twist ending (shout out to all the beta men who can cook pie!
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View on- Agency adam&eveDDB/London
- Production Company Hungry Man
- Director Taika Waititi
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View on- Agency adam&eveDDB/London
- Production Company Hungry Man
- Director Taika Waititi
- Managing Partner Matt Buels
- Producer Hannah Stone
- Editing Final Cut/London
- Post Producer Michelle Corney
- Editor Joe Guest
- Assistant Editor Hannah Burger
- VFX/Animation Untold Studios
- Executive VFX Director Ian Berry
- Executive VFX Producer Melody Alexander
- VFX Producer Helen Tang
- VFX Creative Director Adam Droy
- VFX Creative Director Tim van Hussen
- VFX Supervisor Christian Baker
- CG Supervisor Hudson Martins
- Animation Advisor Eric Goldberg / (Director/Animator)
- Color Company 3/London
- Color Producer Edwin Elkington
- Colorist Jean-Clement Soret
- Music/Music Arrangement Soundtree Music
- Music Managing Director/Executive Music Producer Jay James
- Head of Music Luis Almau
- Music Producer/Music Arranger Luke Fabia
- Production Services Gatehouse Commercials
- Production Services Executive Producer Beverley Wynne
- Chief Creative Officer Antony Nelson
- Chief Creative Officer Mike Sutherland
- Creative Director Rick Gayton
- Creative Director Darren Beresford
- Copywriter Sali Horsey
- Art Director Zoe Nash
- HP/Producer Sally Pritchett
- Assistant Producer Holly Wormleighton
- Production Designer Olly Williams
- DP Ben Seresin
- Online Editor James Pratt
- Online Editor Pete Hughes
- Music Orchestrator David Foster / Music
- Composer Randy Newman
- Production Services Producer Laila Shrand
- Character Voice John Goodman
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powered by- Agency adam&eveDDB/London
- Production Company Hungry Man
- Director Taika Waititi
- Managing Partner Matt Buels
- Producer Hannah Stone
- Editing Final Cut/London
- Post Producer Michelle Corney
- Editor Joe Guest
- Assistant Editor Hannah Burger
- VFX/Animation Untold Studios
- Executive VFX Director Ian Berry
- Executive VFX Producer Melody Alexander
- VFX Producer Helen Tang
- VFX Creative Director Adam Droy
- VFX Creative Director Tim van Hussen
- VFX Supervisor Christian Baker
- CG Supervisor Hudson Martins
- Animation Advisor Eric Goldberg / (Director/Animator)
- Color Company 3/London
- Color Producer Edwin Elkington
- Colorist Jean-Clement Soret
- Music/Music Arrangement Soundtree Music
- Music Managing Director/Executive Music Producer Jay James
- Head of Music Luis Almau
- Music Producer/Music Arranger Luke Fabia
- Production Services Gatehouse Commercials
- Production Services Executive Producer Beverley Wynne
- Chief Creative Officer Antony Nelson
- Chief Creative Officer Mike Sutherland
- Creative Director Rick Gayton
- Creative Director Darren Beresford
- Copywriter Sali Horsey
- Art Director Zoe Nash
- HP/Producer Sally Pritchett
- Assistant Producer Holly Wormleighton
- Production Designer Olly Williams
- DP Ben Seresin
- Online Editor James Pratt
- Online Editor Pete Hughes
- Music Orchestrator David Foster / Music
- Composer Randy Newman
- Production Services Producer Laila Shrand
- Character Voice John Goodman
Disney: Best Christmas Ever – 5 stars
Disney set themselves a high bar every year and every year they manage to jump over it, making it even harder for themselves, and everybody else, the year after. A mini-movie with loveable characters that speak to both adults and children, the mouthless doodle of 2025 is both amusing and tugs at the heartstrings. No notes. This one was perfect and delivered exactly what we’re looking for in the genre.