Anya Taylor-Joy and Charles Melton face off for The Rolling Stones
Academy Films directing duo Chris Barrett and Luke Taylor (formerly known as Us) present an impassioned movement-based narrative to the Stone's track Jealous Lover.
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Credits
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- Production Company Academy
- Director Christopher Barrett
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Credits
View on- Production Company Academy
- Director Christopher Barrett
- Editing Trim
- Post Production 1920
- Color Color Collective
- Sound Runamok Studios
- Production Service Virgin Soil Pictures
- Director Luke Taylor
- Executive Producer Medb Riordan
- Producer Lexi Kiddo
- Production Designer Tyler Evans
- Art Director Angus Bernsen
- DP Larkin Seiple
- Editor Vid Price
- Executive Post Producer Ross Culligan
- Post Producer Molly Russell
- Supervising Colorist Alex Bickel
- Colorist Mike Howell
- Executive Producer Malcolm Duncan
- Executive Producer Fabien Colas
- Producer Benjamin Bernard
- Talent Anya Taylor Joy
- Talent
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Credits
powered by- Production Company Academy
- Director Christopher Barrett
- Editing Trim
- Post Production 1920
- Color Color Collective
- Sound Runamok Studios
- Production Service Virgin Soil Pictures
- Director Luke Taylor
- Executive Producer Medb Riordan
- Producer Lexi Kiddo
- Production Designer Tyler Evans
- Art Director Angus Bernsen
- DP Larkin Seiple
- Editor Vid Price
- Executive Post Producer Ross Culligan
- Post Producer Molly Russell
- Supervising Colorist Alex Bickel
- Colorist Mike Howell
- Executive Producer Malcolm Duncan
- Executive Producer Fabien Colas
- Producer Benjamin Bernard
- Talent Anya Taylor Joy
- Talent
Taking the cheeky falsetto croonings of Mick Jagger as its narrative crux, Chris Barrett and Luke Taylor's new music video for The Rolling Stones’ Jealous Lover could be construed as a simple dance film.
However, that would be doing a massive disservice to the Academy duo’s eye for storytelling which, alongside a pair of magnetic performances from Anya Taylor-Joy and Charles Melton and some raw choreography from Wynn Holmes, tells a tumultuous tale of desire in its short duration.
Shot in LA, with a dusty motel as its backdrop, the promo turns every glance, gesture and tightly controlled movement into another beat in a volatile relationship.
“Working with a band as foundational and iconic as The Rolling Stones is an absolute dream for any filmmaker,” say Barrett and Taylor. “Our goal was to create a visual world that felt as timeless and effortlessly cool as the track itself. Anya and Charles fully committed to the vision, bringing a magnetic tension to the screen that elevates the entire narrative. We couldn't be prouder of the result.
