Jamie Madge
Co-Editor
jmadge@extremereach.com@mrmadge
Jamie Madge co-edits shots Magazine with Danny Edwards. He conducts written and filmed interviews with some of the world’s top creatives, directors and producers and bloody loves it.
The devil's in the detail for these Fussy customers
Three demons give their verdict on sustainable deodorant brand Fussy in this wickedly funny spot from Ali Dickinson.
How Mike Diva turned a mascot into a monster
20+ years after being freaked out by Gushers' unhinged child-morning candy commercials, Lord Danger director Mike Diva created a Halloween-teasing comedy horror starring Bradley Whitford and a juicy new monster. shots caught up with Diva to find out how some sweeties gave him the shivers.
KFC's time for change
PS21's entertainingly silly El Chollazo campaign for KFC Spain sees hungry customers find coins in all of the usual places...
Stockholm Film Festival's genre flip
Gustav Egerstedt directs a pair of films in which the cinematic worlds undergo a sudden shift in tone.
Scrumbles is feline pretty spooky
In a trio of horror-spoofing spots from director Adam Johnson, a malicious moggy channels tropes for its treats.
Night of the living shed...
antoni_boost's spookily silly campaign for Kaercher sees undead appliances lumber to the junkyard.
Johnny Kelly connects with Telstra
The Nexus Studios director collaborates with +61 / Bear Meets Eagle on Fire to create a charmingly crafted ditty about connectivity.
How Will Wightman and a budget camera shot up a sh*thole
The Blinkink director's latest slice of insanity, This Place is a Sh*thole, creates a manic monster out of an everyday horror: messy housemates. Jamie Madge caught up with Wightman to get down and dirty with the production process, jungle soundtrack, and innovative use of consumer 360 cameras.
METT Singapore attracts to relax
A sunbed and pool umbrella take a trip to Fort Canning Park's latest hotel in this charming tale from Forsman & Bodenfors.
Forsman & Bodenfors irons out some emotion
The agency, along with production company Pine and director Niels Windfeldt, manages to humanise LKAB and the materials it produces.
Rosalía's chore-chestral day
CANADA's Nicolás Méndez directs a striking music video in which the Spanish singer, alongside Björk and Yves Tumor, finds her everyday doings beset by musicians.
30 Millions d'amis Foundation puts reoffenders in the doghouse
Altmann+Partners and Benjamin Parent present a heartbreaking tale of repeated animal mistreatment.
Jamie Madge co-edits shots Magazine with Danny Edwards. He conducts written and filmed interviews with some of the world’s top creatives, directors and producers, as well as producing extended features on regions, techniques and trends within the advertising community.
He also oversees the compilation of shots' ground-breaking Unsigned, focussing on global unsigned directorial talent, and curates the regular shots Unsigned screening nights that have travelled the globe.
Alongside that, Jamie has presented panels and screening on branded content as part of the D&AD, Raindance, El Ojo and Rushes Soho Shorts festivals, and recently chaired a discussion with Martin Campbell at the Cannes International Festival Of Creativity, so basically met James Bond or something. He has also sat as a judge on many advertising and film awards, including Radar Music Video, the UK MVAs and Reed Short Film. And the shots Awards, natch.
Jamie loves musicals, loves comic books and loves Marmite. He has a lot of love. He also thinks that if you don't like the film Back To The Future, it's difficult to believe you like anything.
Interviews; Profiles; A Few Of My Favourite Things