Jamie Madge
Co-Editor
jmadge@extremereach.com@mrmadge
Jamie Madge co-edits shots Magazine with Danny Edwards. He conducts written and filmed interviews with some of the world’s top creatives, directors and producers and bloody loves it.
GOT BAG's not kidding around
In this joyful mockumentary from Scholz & Friends and director Peter Haueis, Albania’s new style icons have to be seen but not herd.
Fredrik Bond's new spot for Citroën is a dream
A moustachioed man struggles to rise from his slumber in this fantastical spot from BETC Paris and Very Content x Stink.
DoorDash Canada brings it in
Created in partnership with Broken Heart Love Affair, this thumping, rousing campaign unites the brand's sponsorship of three professional women’s sports leagues: WNBA, NSL, and PWHL.
Billy Boyd Cape give voice to Gaza's healthcare crisis
Don’t Panic and Academy Films collaborate on I Know, a stark, single-take film for Medical Aid for Palestinians, conveying the daily challenges faced by healthcare workers under siege.
Nicolás Pérez Veiga has a Thing for Cheetos
Wednesday Addams' faithful disembodied appendage has a hankering for crunchy snacks in this delicious tie-in from Isla Ciudad de México and Primo.
Henry Scholfield's proves everything is possible with clever camerawork
Canadian lifestyle brand President's Choice shows its integration into everyday lives in a wonderfully flowing journey from the Spy Films director.
Matt Berry and Jemaine Clement sound funny
In a brilliantly anarchic product demo/ad for Telepathic Instruments, the pair of funnimen put the new Orchid synth through its paces.
Six Flags' sharp, shocking short
The theme park chain continues its run of seasonal scares with Come Out and Play, a horrifying mini-movie that introduces the devilish Smiley to the pantheon of pant-wetting monsters.
DoorDash Australia's new campaign is bags of fun
A pair of animatronic devilery bags shoot the breeze in this charming series from DDB Sydney and Jeff Low.
Ford's over-powered promotion
An engaging narrator gets a little too carried away with his descriptions in this suitably silly spot from Wieden+Kennedy London and Tim Godsall.
ChatGPT's new spots prompt new possibilities
The AI giant's first large-scale brand campaign sees delightfully human scenarios aided by a simple query.
Frankenstein's monster makeover
Using the Universal classic look of the iconic monster, GS&P and Lance Acord showcase how a slice of Xfinity’s speedy internet can create quite a glow-up.
Jamie Madge co-edits shots Magazine with Danny Edwards. He conducts written and filmed interviews with some of the world’s top creatives, directors and producers, as well as producing extended features on regions, techniques and trends within the advertising community.
He also oversees the compilation of shots' ground-breaking Unsigned, focussing on global unsigned directorial talent, and curates the regular shots Unsigned screening nights that have travelled the globe.
Alongside that, Jamie has presented panels and screening on branded content as part of the D&AD, Raindance, El Ojo and Rushes Soho Shorts festivals, and recently chaired a discussion with Martin Campbell at the Cannes International Festival Of Creativity, so basically met James Bond or something. He has also sat as a judge on many advertising and film awards, including Radar Music Video, the UK MVAs and Reed Short Film. And the shots Awards, natch.
Jamie loves musicals, loves comic books and loves Marmite. He has a lot of love. He also thinks that if you don't like the film Back To The Future, it's difficult to believe you like anything.
US-focus; Interviews; Profiles; Presents; A Few Of My Favourite Things