Super Bowl 2023: shots top ten
The game has been played, the calls hotly debated and, most importantly, the ads have been devoured by a hungry audience. You can see every commercial screened during the Super Bowl on Source/shots exclusive Slate, but here the editorial team have whittled it down to their top ten.
Credits
powered by- Agency Droga5/New York
- Production Company ProdCo
- Director Ian Pons Jewell
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Credits
powered by- Agency Droga5/New York
- Production Company ProdCo
- Director Ian Pons Jewell
- Executive Producer Maddi Carlton
- Editing The Den Editorial
- Editor Tobias Suhm
- Executive Post Producer Jennifer Mersis
- Senior Post Producer Kortney Rubottom
- VFX Framestore/New York
- Creative Director VFX Martin Lazaro
- Executive VFX Producer Heino Henning
- Color Company 3/New York
- Colorist Tim Masick
- Color Producer Ryan Moncrief
- Music/Sound Design/Mix String and Tins
- Music Supervision Lawrence Kendrick
- Music Supervision Laura-Leigh Smith
- Sound Designer/Audio Mixer Lawrence Kendrick
- Sound Designer/Audio Mixer Jim Stewart / (Audio Mixer)
- Head of Production Matt Sanders / (Head of Production)
- Producer Doochy Moult
- DP Mauro Chiarello
- Assistant Editor Evan Carp
- Composer Joseph Alexander
- Sound Designer/Audio Mixer Nigel Manington
- Art Director Grant Bauley
- Associate Producer Matthew Mintz
- Chief Creative Officer Scott Bell
- Copywriter Nathan Bennett
- Executive Creative Director Chris Colliton
- Executive Creative Director Kevin Weir
- Executive Producer Dave Stephenson
- HP Ruben Mercadal
- HP Jennifer Mann
- Senior Art Director Ethan Bennett
- Senior Copywriter Blake Morris
- Senior Producer Kyla Bridge
Credits
powered by- Agency Droga5/New York
- Production Company ProdCo
- Director Ian Pons Jewell
- Executive Producer Maddi Carlton
- Editing The Den Editorial
- Editor Tobias Suhm
- Executive Post Producer Jennifer Mersis
- Senior Post Producer Kortney Rubottom
- VFX Framestore/New York
- Creative Director VFX Martin Lazaro
- Executive VFX Producer Heino Henning
- Color Company 3/New York
- Colorist Tim Masick
- Color Producer Ryan Moncrief
- Music/Sound Design/Mix String and Tins
- Music Supervision Lawrence Kendrick
- Music Supervision Laura-Leigh Smith
- Sound Designer/Audio Mixer Lawrence Kendrick
- Sound Designer/Audio Mixer Jim Stewart / (Audio Mixer)
- Head of Production Matt Sanders / (Head of Production)
- Producer Doochy Moult
- DP Mauro Chiarello
- Assistant Editor Evan Carp
- Composer Joseph Alexander
- Sound Designer/Audio Mixer Nigel Manington
- Art Director Grant Bauley
- Associate Producer Matthew Mintz
- Chief Creative Officer Scott Bell
- Copywriter Nathan Bennett
- Executive Creative Director Chris Colliton
- Executive Creative Director Kevin Weir
- Executive Producer Dave Stephenson
- HP Ruben Mercadal
- HP Jennifer Mann
- Senior Art Director Ethan Bennett
- Senior Copywriter Blake Morris
- Senior Producer Kyla Bridge
Miller Light and Coors Light walk into a bar. No, it’s not the start of a bad joke - it’s the opening of brewing company Molson Coors’ innovative, high-stakes Super Bowl campaign, created by New York agency Droga5 through ProdCo's Ian Pons Jewell.
In the lead-up to the big game, the brand released a series of teasers encouraging fans to bet on the details of the final spot released on Sunday, including which drinks it would feature, with a chance of winning $500,000.
In the final spot, titled The High Stakes Beer Ad, ice is thrown, beer mats go flying, and the drink’s famous slogans are quoted whilst the two brews battle it out to take centre stage at the Super Bowl.
At the end of the spot, Coors pulls the rug to reveal that, actually, this is a Blue Moon commercial, and the Belgian White casually takes the crown.
Credits
powered by- Agency Special Group/Los Angeles
- Production Company Biscuit Filmworks/USA
- Director Andreas Nilsson
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Credits
powered by- Agency Special Group/Los Angeles
- Production Company Biscuit Filmworks/USA
- Director Andreas Nilsson
- Ad Agency Special Group/Sydney
- Managing Director/Partner Shawn Lacy
- Head of Production Sean Moody
- Executive Producer Holly Vega
- Executive Producer Andrew Travelstead
- Editing EXILE Edit
- Editor Katie Turinski
- Editor Jacob Schulsinger
- Editor Nate Gross
- Executive Post Producer Jennifer Locke
- Color Company Trafik/Los Angeles
- Colorist Dimitri Zola
- Executive Producer Meghan Lang Bice
- VFX Pariah VFX & Post
- Head of Production Michael Steinmann
- VFX Producer Andrew Rosenberger
- Music Walker
- Managing Director Sara Matarazzo
- Senior Producer Danielle Soury
- Sound Design/Audio Mix Eleven Sound
- Sound Designer/Audio Mixer Jordan Meltzer
- Executive Producer Melissa Elston
- Audio Producer/Assistant Mixer Andrew Smith / (Audio Producer)
- Chief Creative Officer Tom Martin
- Chief Creative Officer Julian Schreiber
- Talent Sean (Puffy/P Diddy) Combs
- Talent Montell Jordan
- Talent Kelis
- Talent Donna Lewis
- Talent Nestor Alexander Haddaway
- Talent Vegard & Bard Ylvisake (Ylvis)
- Associate Creative Director Alyssa Cavanaugh
- Creative Director Phillip Fattore
- Executive Creative Director Dave Horton
- Executive Creative Director Matthew Woodhams-Roberts
- Executive Producer Amanda Weiss
- Executive Producer Felix Messina
- Producer Luke Franek
- Executive Creative Director Danielle Hawley
- Global Creative Director Ecole Weinstein
Credits
powered by- Agency Special Group/Los Angeles
- Production Company Biscuit Filmworks/USA
- Director Andreas Nilsson
- Ad Agency Special Group/Sydney
- Managing Director/Partner Shawn Lacy
- Head of Production Sean Moody
- Executive Producer Holly Vega
- Executive Producer Andrew Travelstead
- Editing EXILE Edit
- Editor Katie Turinski
- Editor Jacob Schulsinger
- Editor Nate Gross
- Executive Post Producer Jennifer Locke
- Color Company Trafik/Los Angeles
- Colorist Dimitri Zola
- Executive Producer Meghan Lang Bice
- VFX Pariah VFX & Post
- Head of Production Michael Steinmann
- VFX Producer Andrew Rosenberger
- Music Walker
- Managing Director Sara Matarazzo
- Senior Producer Danielle Soury
- Sound Design/Audio Mix Eleven Sound
- Sound Designer/Audio Mixer Jordan Meltzer
- Executive Producer Melissa Elston
- Audio Producer/Assistant Mixer Andrew Smith / (Audio Producer)
- Chief Creative Officer Tom Martin
- Chief Creative Officer Julian Schreiber
- Talent Sean (Puffy/P Diddy) Combs
- Talent Montell Jordan
- Talent Kelis
- Talent Donna Lewis
- Talent Nestor Alexander Haddaway
- Talent Vegard & Bard Ylvisake (Ylvis)
- Associate Creative Director Alyssa Cavanaugh
- Creative Director Phillip Fattore
- Executive Creative Director Dave Horton
- Executive Creative Director Matthew Woodhams-Roberts
- Executive Producer Amanda Weiss
- Executive Producer Felix Messina
- Producer Luke Franek
- Executive Creative Director Danielle Hawley
- Global Creative Director Ecole Weinstein
This is How We Do It by Montell Jordan, I Love You Always Forever by Donna Lewis, Milkshake by Kelis, What is Love by Haddaway; if your brain isn't already wriggling with earworms then the concept behind this funny spot for Uber might just pass you by.
Starring Sean 'Diddy' Combs, One Hit For Uber One sees the delivery/taxi company attempt to create the perfect jingle by utilising a known hitmaker (and a few familiar faces).
Ticking off the Super Bowl checklist of BIG CELEB, instant recognition and chucklesome dialogue, the film, from agency Special Group and directed by Biscuit's Andreas Nilsson, succeeds with its witty choice of pop choons and a brilliantly self-mocking turn from Puffy.
Credits
powered by- Agency D3 (In-House at Pepsi)
- Production Company Interrogate
- Director Vince Gilligan
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Credits
powered by- Agency D3 (In-House at Pepsi)
- Production Company Interrogate
- Director Vince Gilligan
- Executive Producer George Meeker
- Edit Company The Den Editorial
- Editor Christjan Jordan
- Assistant Editor Pieter Viljoen
- Executive Producer Jennifer Mersis
- VFX Company The Mill/Los Angeles
- Managing Director Anastasia von Rahl
- 3D Lead Artist Cinzia Pegorin
- Senior Producer Heather Johann
- Colorist Paul Yacono
- Executive Color Producer Krista Friedman
- Color Producer Denise Brown
- Audio Post JSM Music
- Chief Creative Officer Joel Simon
- Executive Music Producer Jeff Fiorello
- Senior Music Producer Norm Felker
- Senior Music Producer Andrew Manning
- Audio Producer Sharon Cha
- Sound Designer Seamus Kilmartin
- Talent Raymond Cruz
- DP Paul Donachie
- Production Designer Denise Pizzini
- Line Producer Julien Lemaitre
- Juinior Editor Jake Swartz
- Assistant Editor Laurence Thrush
- HP Kristina Thoegersen
- Producer Gigi May
- Creative Director Matthew Fuller
- VFX Supervisor Sarah Marikar
- Senior Producer Graham Dunglinson
- Copywriter Joanna Stubbins
- Managing Director Jeffrey Miller
- Producer Dan Watson
- Talent Bryan Cranston
- Talent Aaron Paul
- Art Director Sara Cusumano
- Associate Creative Director Sadie Caparelli
- Creative Director Chris Bellinger
- Creative Director Matt Schaffer
- Senior Associate Creative Director Katheryn Renfroe
Credits
powered by- Agency D3 (In-House at Pepsi)
- Production Company Interrogate
- Director Vince Gilligan
- Executive Producer George Meeker
- Edit Company The Den Editorial
- Editor Christjan Jordan
- Assistant Editor Pieter Viljoen
- Executive Producer Jennifer Mersis
- VFX Company The Mill/Los Angeles
- Managing Director Anastasia von Rahl
- 3D Lead Artist Cinzia Pegorin
- Senior Producer Heather Johann
- Colorist Paul Yacono
- Executive Color Producer Krista Friedman
- Color Producer Denise Brown
- Audio Post JSM Music
- Chief Creative Officer Joel Simon
- Executive Music Producer Jeff Fiorello
- Senior Music Producer Norm Felker
- Senior Music Producer Andrew Manning
- Audio Producer Sharon Cha
- Sound Designer Seamus Kilmartin
- Talent Raymond Cruz
- DP Paul Donachie
- Production Designer Denise Pizzini
- Line Producer Julien Lemaitre
- Juinior Editor Jake Swartz
- Assistant Editor Laurence Thrush
- HP Kristina Thoegersen
- Producer Gigi May
- Creative Director Matthew Fuller
- VFX Supervisor Sarah Marikar
- Senior Producer Graham Dunglinson
- Copywriter Joanna Stubbins
- Managing Director Jeffrey Miller
- Producer Dan Watson
- Talent Bryan Cranston
- Talent Aaron Paul
- Art Director Sara Cusumano
- Associate Creative Director Sadie Caparelli
- Creative Director Chris Bellinger
- Creative Director Matt Schaffer
- Senior Associate Creative Director Katheryn Renfroe
We all know the classic ad maxim: nothing demonstrates the wholesome, all-ages fun of the Super Bowl better than the charming tale of crystal meth cookers...
Taking their iconic Breaking Bad characters and effortlessly pivoting their purpose to the delicate art of snack bakery, Bryan Cranston and Aaron Paul slay in this pitch-perfect spoof of the show for PopCorners Super Bowl spot, Breaking Good.
Developed by in-house agency D3, the spot's authenticity is maintained by bringing in Interrogate's Vince Gilligan, the creator of the TV phenomenon, to direct; giving the film not only the seal of approval but also invoking the distinct look and feel of the original.
With the show itself always expertly walking the fine line between drama and comedy, the refined chops of Cranston and Paul (alongside the delightful return of Raymond Cruz as Tuco) means the flip to chuckles is an assured delight.
Altogether now: Say. Their. Name!
Credits
powered by- Agency Mischief/Brooklyn
- Production Company MJZ/USA
- Director Tom Kuntz
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Credits
powered by- Agency Mischief/Brooklyn
- Production Company MJZ/USA
- Director Tom Kuntz
- President/Executive Producer David Zander
- Senior Executive Producer Eriks Krumins
- Production Service The Lift Mexico
- Editing NO6
- Editor Jason MacDonald
- Junior Editor Max Redinger
- Executive Producer Corina Dennison
- Head of Production Laura Molinaro
- Color Company 3/Los Angeles
- Colorist Stefan Sonnenfeld
- Color Producer Blake Rice
- Audio Mix Heard City
- Audio Mixer Philip Loeb
- Music Walker
- Managing Director Sara Matarazzo
- Senior Music Producer Dottie Scharr
- VFX Untold Studios/Los Angeles
- Creative Director Ben Cronin
- VFX Supervisor Christian Baker
- Executive Producer Sophie Harrison
- Senior Copywriter Vanessa de Beaumont
- Senior Art Director Joao Viegas
- DP Rodrigo Prieto | (DP)
- Sound Designer Brian Emrich
- Chief Creative Officer Greg Hahn
- Creative Director Peter Lefebvre
- Creative Director Ryan Stotts
- Executive Creative Director Bianca Guimaraes
- Executive Creative Director Kevin Mulroy
- Executive Producer Amy Wertheimer
- HP Will Dempster
Credits
powered by- Agency Mischief/Brooklyn
- Production Company MJZ/USA
- Director Tom Kuntz
- President/Executive Producer David Zander
- Senior Executive Producer Eriks Krumins
- Production Service The Lift Mexico
- Editing NO6
- Editor Jason MacDonald
- Junior Editor Max Redinger
- Executive Producer Corina Dennison
- Head of Production Laura Molinaro
- Color Company 3/Los Angeles
- Colorist Stefan Sonnenfeld
- Color Producer Blake Rice
- Audio Mix Heard City
- Audio Mixer Philip Loeb
- Music Walker
- Managing Director Sara Matarazzo
- Senior Music Producer Dottie Scharr
- VFX Untold Studios/Los Angeles
- Creative Director Ben Cronin
- VFX Supervisor Christian Baker
- Executive Producer Sophie Harrison
- Senior Copywriter Vanessa de Beaumont
- Senior Art Director Joao Viegas
- DP Rodrigo Prieto | (DP)
- Sound Designer Brian Emrich
- Chief Creative Officer Greg Hahn
- Creative Director Peter Lefebvre
- Creative Director Ryan Stotts
- Executive Creative Director Bianca Guimaraes
- Executive Creative Director Kevin Mulroy
- Executive Producer Amy Wertheimer
- HP Will Dempster
This brilliantly whimsical Super Bowl campaign, created by Brooklyn agency Mischief for video streaming platform Tubi, sees unsuspecting victims abducted by a menacing fluffle of human-sized rabbits.
Directed by Tom Kuntz through MJZ, the ad, titled Rabbit Holes, shows the creatures snatching people from their homes, schools, and cars, carrying them away and throwing them into dark chasms in the ground.
As they hurtle down the holes Alice-In-Wonderland style, we see the walls are covered in screens showing all of the series available to watch on Tubi, and the spot encourages viewers to 'find rabbit holes you didn't know you were looking for'.
Credits
powered by- Agency Zulu Alpha Kilo/New York
- Production Company Arts & Sciences
- Director Alex Prager
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Credits
powered by- Agency Zulu Alpha Kilo/New York
- Production Company Arts & Sciences
- Director Alex Prager
- Executive Producer Marc Marrie
- Executive Producer Mal Ward
- Head of Production Milena Milicevic
- Editing Arcade Edit
- Editor Geoff Hounsell
- Assistant Editor Dean Miyahira
- Executive Post Producer Crissy DeSimone
- VFX Framestore/New York
- VFX Lead Artist - Nuke Corrina Wilson
- Sound Design/Audio Mix Wave Studios/USA
- Sound Designer/Audio Mixer Aaron Reynolds
- Sound Designer/Audio Mixer Isaac Matus
- Executive Producer Vicky Ferraro
- Music Barking Owl
- Executive Producer Ashley Benton
- Creative Director Kelly Bayett
- Color Company 3/Los Angeles
- Colorist Beau Leon
- DP Matthew Libatique
- Production Designer Florencia Martin
- Assistant Editor Mitch Mitchell
- Senior Post Producer Alexa Berman
- Executive VFX Producer Heino Henning
- Senior Post Producer Annabelle Cuthbert
- VFX Supervisor Eric Rosenfeld
- Composer Drew Gasparini
- Composer/Arranger Jacob Plasse
- Photographer Jan Opdekamp
- Associate Creative Director/Art Director Ivan Mallqui
- Associate Creative Director/Art Director Michael Romaniuk
- Associate Creative Director/Copywriter Marco Buchar
- Associate Creative Director/Copywriter Greg Kieltyka
- Chief Chairman Zak Mroueh
- Chief Creative Officer Tim Gordon
- Creative Director Vic Bath
- Creative Director Daniel Cummings
- Creative Director Rachel Goss
- Creative Director Ross Wolinsky
- Executive Creative Director Casey Rand
- Talent Melissa McCarthy
- Talent Ben Falcone
- Executive Producer Ian Kennelly
- Executive Producer Andrew Slough
Credits
powered by- Agency Zulu Alpha Kilo/New York
- Production Company Arts & Sciences
- Director Alex Prager
- Executive Producer Marc Marrie
- Executive Producer Mal Ward
- Head of Production Milena Milicevic
- Editing Arcade Edit
- Editor Geoff Hounsell
- Assistant Editor Dean Miyahira
- Executive Post Producer Crissy DeSimone
- VFX Framestore/New York
- VFX Lead Artist - Nuke Corrina Wilson
- Sound Design/Audio Mix Wave Studios/USA
- Sound Designer/Audio Mixer Aaron Reynolds
- Sound Designer/Audio Mixer Isaac Matus
- Executive Producer Vicky Ferraro
- Music Barking Owl
- Executive Producer Ashley Benton
- Creative Director Kelly Bayett
- Color Company 3/Los Angeles
- Colorist Beau Leon
- DP Matthew Libatique
- Production Designer Florencia Martin
- Assistant Editor Mitch Mitchell
- Senior Post Producer Alexa Berman
- Executive VFX Producer Heino Henning
- Senior Post Producer Annabelle Cuthbert
- VFX Supervisor Eric Rosenfeld
- Composer Drew Gasparini
- Composer/Arranger Jacob Plasse
- Photographer Jan Opdekamp
- Associate Creative Director/Art Director Ivan Mallqui
- Associate Creative Director/Art Director Michael Romaniuk
- Associate Creative Director/Copywriter Marco Buchar
- Associate Creative Director/Copywriter Greg Kieltyka
- Chief Chairman Zak Mroueh
- Chief Creative Officer Tim Gordon
- Creative Director Vic Bath
- Creative Director Daniel Cummings
- Creative Director Rachel Goss
- Creative Director Ross Wolinsky
- Executive Creative Director Casey Rand
- Talent Melissa McCarthy
- Talent Ben Falcone
- Executive Producer Ian Kennelly
- Executive Producer Andrew Slough
Directed by Alex Prager through Arts & Sciences, this vibrant and entertaining campaign from Booking.com stars holiday-deserving mum and actress Melissa McCarthy.
Donning an eccentric array of wigs and costumes, McCarthy sings in a musical-theatre-like fashion as she hunts for Somewhere, Anywhere to take her vacation, as she peruses a selection of destinations the site has to offer.
The thirty-second spot, which includes a cameo by her husband, American actor, comedian and filmmaker Ben Falcone, focuses on how Booking.com makes booking a trip easy, reliable and fun, with the widest choice of places to stay, and will air during the fourth quarter of the Super Bowl this Sunday.
Celebrity endorsements are ten-a-penny (or, more accurately, ten-million-a-minute) during the Super Bowl, but what if... shock, horror... the stars themselves were just PRETENDING to like the snack/beverage/insurance company?
Taking on the very subterfuge of the dramatic arts, Pepsi Max's Great Acting Or Great Taste pair of spots sees comedic legends Steve Martin and Ben Stiller showcase their considerable chops.
Created by Vanyer Media and helmed by Caviar's Jorma Taccone, the spots have the slightest whiff of sending the same script out to two stars and awkwardly having them both accept, but there's no shame in doubling up during the Big Game.
Credits
powered by- Agency Droga5/New York
- Production Company O Positive
- Director David Shane
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Credits
powered by- Agency Droga5/New York
- Production Company O Positive
- Director David Shane
- Executive Producer/Founding Partner Ralph Laucella
- Executive Producer Marc Grill
- DP Jeffrey Kim
- Production Designer Joe Cooney
- Editing Arcade Edit
- Editor Jeff Ferruzzo
- Executive Post Producer Fanny Cruz
- Senior Producer Ellen Lavery
- Post Production Parliament VFX
- Music Human Music & Sound Design/USA
- Creative Lead Morgan Visconti
- Composer Jon Hubbell
- Executive Producer James Dean Wells
- Sound Heard City
- Sound Designer Philip Loeb
- Sound Designer Evan Mangiamele
- Executive Producer Gloria Pitagorsky
- Color Rare Medium
- Colorist Fergus McCall
- 2D Animation Titmouse
- Producer Jason Reda
- Art Director Luke Johnson
- Associate Producer Lindsay Squires
- Associate Producer Sparkman Clark
- Chief Creative Officer Scott Bell
- Copywriter Alli Walker
- Executive Creative Director Daniel Kelly
- Executive Producer Jeremy Fox
- Producer Hugh Copeland
- Senior Copywriter Sean Buckhorn
- Senior Creative Director Gonzalo Navarro
- Senior Producer Samar Zaman
- Talent Thomas Lennon
- Talent Sylvester Stallone
- Creative Janine Evangelista
- Creative Director Emmanuelle Lebœuf
- Senior Creative Director Jedd Scher
Credits
powered by- Agency Droga5/New York
- Production Company O Positive
- Director David Shane
- Executive Producer/Founding Partner Ralph Laucella
- Executive Producer Marc Grill
- DP Jeffrey Kim
- Production Designer Joe Cooney
- Editing Arcade Edit
- Editor Jeff Ferruzzo
- Executive Post Producer Fanny Cruz
- Senior Producer Ellen Lavery
- Post Production Parliament VFX
- Music Human Music & Sound Design/USA
- Creative Lead Morgan Visconti
- Composer Jon Hubbell
- Executive Producer James Dean Wells
- Sound Heard City
- Sound Designer Philip Loeb
- Sound Designer Evan Mangiamele
- Executive Producer Gloria Pitagorsky
- Color Rare Medium
- Colorist Fergus McCall
- 2D Animation Titmouse
- Producer Jason Reda
- Art Director Luke Johnson
- Associate Producer Lindsay Squires
- Associate Producer Sparkman Clark
- Chief Creative Officer Scott Bell
- Copywriter Alli Walker
- Executive Creative Director Daniel Kelly
- Executive Producer Jeremy Fox
- Producer Hugh Copeland
- Senior Copywriter Sean Buckhorn
- Senior Creative Director Gonzalo Navarro
- Senior Producer Samar Zaman
- Talent Thomas Lennon
- Talent Sylvester Stallone
- Creative Janine Evangelista
- Creative Director Emmanuelle Lebœuf
- Senior Creative Director Jedd Scher
Is it the thrill of the big game? The promise of a massive audience? The truckloads of dosh?
Whatever it is that attracts A-listers to Dada-esque levels of surrealism when it comes to Super Bowl spots, we're certainly always happy to see madcap creatives unleash their trippier side in coming up with concepts.
Case in point: Droga5's latest for Paramount+ sees Sylvester Stallone attempt to climb a face of Paramount mountain that's shaped like his unique phizog, all the whilst being cheered on by his daughters, Dora The Explorer, and Beavis & Butthead.
Directed by O Positive's David Shane, Stallone Face continues the knowingly silly series with a fun ad that is certain to get some laughs from fans of the Italian Stallion.
Credits
powered by- Agency Anomaly/New York
- Production Company Reset
- Director Trey Edward Shults
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Credits
powered by- Agency Anomaly/New York
- Production Company Reset
- Director Trey Edward Shults
- Executive Producer Michael Garza
- Editing Arcade Edit
- Editor Jeff Ferruzzo
- Editor Alison Mao
- Senior Post Producer Andrew Cravotta
- Executive Producer Sila Soyer
- Executive Producer Crissy DeSimone
- Colorist Damien Van Der Cruyssen
- Post Production The Mill/New York
- Executive Creative Director Gavin Wellsman
- Producer Katharine Mulderry
- Sound Design/Audio Mix Wave Studios/USA
- Sound Designer/Audio Mixer Aaron Reynolds
- Executive Producer Vicky Ferraro
- Remix/Music Clearance Human Music & Sound Design/USA
- Creative Director/Supervisor Mike Jurasits
- Executive Producer James Dean Wells
- DP Adam Newport-Berra | (DP)
- Remix Composer Sidney Kennedy
- Copywriter Alex Ledford
- Creative Director Nick Alcock
- Creative Director Taylor Green
- Creative Director Conor Hagan
- Creative Director Cori Johnson
- Executive Creative Director Jaclyn Rink Crowley
- Global Chief Creative Officer Mike Byrne
- Head of Production Dan Blaney
- Senior Producer Mateus DeFaria
- Talent Miles Teller
Credits
powered by- Agency Anomaly/New York
- Production Company Reset
- Director Trey Edward Shults
- Executive Producer Michael Garza
- Editing Arcade Edit
- Editor Jeff Ferruzzo
- Editor Alison Mao
- Senior Post Producer Andrew Cravotta
- Executive Producer Sila Soyer
- Executive Producer Crissy DeSimone
- Colorist Damien Van Der Cruyssen
- Post Production The Mill/New York
- Executive Creative Director Gavin Wellsman
- Producer Katharine Mulderry
- Sound Design/Audio Mix Wave Studios/USA
- Sound Designer/Audio Mixer Aaron Reynolds
- Executive Producer Vicky Ferraro
- Remix/Music Clearance Human Music & Sound Design/USA
- Creative Director/Supervisor Mike Jurasits
- Executive Producer James Dean Wells
- DP Adam Newport-Berra | (DP)
- Remix Composer Sidney Kennedy
- Copywriter Alex Ledford
- Creative Director Nick Alcock
- Creative Director Taylor Green
- Creative Director Conor Hagan
- Creative Director Cori Johnson
- Executive Creative Director Jaclyn Rink Crowley
- Global Chief Creative Officer Mike Byrne
- Head of Production Dan Blaney
- Senior Producer Mateus DeFaria
- Talent Miles Teller
When you think of Miles Teller, your mind is probably cast to the fast-paced, thrill-filled likes of Top Gun or Whiplash - far removed from the mundanity of the everyday. In which case, you’ll be surprised to see his latest TV appearance.
Directed by Trey Edward Shults through Reset, this wonderfully relatable and distinctly undramatic spot for Bud Light stars the actor and his wife, Keleigh Teller, in a painfully relatable situation.
The film opens with the nauseatingly familiar sound of telephone hold music, as Keleigh lies despondently on the sofa, ninety minutes deep in the hell that is being put on hold.
Teller reaches for two Bud Lights, pops the cans open, and starts to comedically dance to the tune. Before long, the couple and their Frenchie are throwing shapes in sync, enjoying passing the time until they almost forget they were in a call, underscoring the campaign’s tagline ‘Easy to drink, easy to enjoy’.
Credits
powered by- Agency Goodby Silverstein and Partners/San Francisco
- Production Company Hungry Man
- Director Wayne McClammy
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Credits
powered by- Agency Goodby Silverstein and Partners/San Francisco
- Production Company Hungry Man
- Director Wayne McClammy
- Executive Producer Mino Jarjoura
- Executive Producer Dan Duffy
- Editing The Den Editorial
- Editor Christjan Jordan
- Editor Matthew Hilber
- Additional Editor Pieter Viljoen
- Assistant Editor Jake Swartz
- Executive Post Producer Jennifer Mersis
- Post Producer Jessica Davis
- Head of Production Kristina Thoegersen
- Sound Design/Audio Mix Lime Studios
- Sound Designer/Audio Mixer Joel Waters
- Assistant Audio Mixer Collin Thomas
- Executive Producer Susie Boyajan
- VFX The Mill/Los Angeles
- VFX Supervisor/Creative Director Oliver Caiden
- Executive Producer Hillary Thomas
- Executive Producer Rick Jarjoura
- DP Dion Beebe
- Production Designer Robb Buono
- Additional Editor Andrew Leggett
- Assistant Editor Nic Watkins
- Art Director Fabio Santoro
- Associate Creative Director Chase Doutre
- Associate Creative Director Danny O'Connor
- Chief Creative Officer Margaret Johnson
- Copywriter Pedro Furtado
- Creative Director Eamonn Dixon
- Creative Director Stefan Copiz
- Executive Producer Sara Ward
- HP Jim Haight
- Senior Producer Alexei Vanmourik
- Talent Missy Elliott
- Talent Jack Harlow
- Talent Elton John
Credits
powered by- Agency Goodby Silverstein and Partners/San Francisco
- Production Company Hungry Man
- Director Wayne McClammy
- Executive Producer Mino Jarjoura
- Executive Producer Dan Duffy
- Editing The Den Editorial
- Editor Christjan Jordan
- Editor Matthew Hilber
- Additional Editor Pieter Viljoen
- Assistant Editor Jake Swartz
- Executive Post Producer Jennifer Mersis
- Post Producer Jessica Davis
- Head of Production Kristina Thoegersen
- Sound Design/Audio Mix Lime Studios
- Sound Designer/Audio Mixer Joel Waters
- Assistant Audio Mixer Collin Thomas
- Executive Producer Susie Boyajan
- VFX The Mill/Los Angeles
- VFX Supervisor/Creative Director Oliver Caiden
- Executive Producer Hillary Thomas
- Executive Producer Rick Jarjoura
- DP Dion Beebe
- Production Designer Robb Buono
- Additional Editor Andrew Leggett
- Assistant Editor Nic Watkins
- Art Director Fabio Santoro
- Associate Creative Director Chase Doutre
- Associate Creative Director Danny O'Connor
- Chief Creative Officer Margaret Johnson
- Copywriter Pedro Furtado
- Creative Director Eamonn Dixon
- Creative Director Stefan Copiz
- Executive Producer Sara Ward
- HP Jim Haight
- Senior Producer Alexei Vanmourik
- Talent Missy Elliott
- Talent Jack Harlow
- Talent Elton John
We can all agree that the best 'musician finds love with a triangle' video is James Blunt's epic ballad on Sesame Street, but this new spot for Doritos gives it a fun run for its money.
Pulling in the big guns - Jack Harlow, Missy Elliott, even a surprise Elton John - Jack's New Angle sees the aforementioned rapper take creative inspiration from the angular shape of his Doritos snack.
Directed with flair by Hungry Man's Wayne McClammy, Goodby Silverstein and Partners' spot crams a lot of gags into its short running time; its assured construction making it sure to be a Super Bowl favourite.
Whilst kinda not-too-subtly taking its influence from &Rosas and The Gang's similar effort from 2020, this big-budget reimagining is nonetheless a blast.
Credits
powered by- Agency Client Direct
- Production Company SMUGGLER
- Director Aoife McArdle
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Credits
powered by- Agency Client Direct
- Production Company SMUGGLER
- Director Aoife McArdle
- Co-Founder Patrick Milling-Smith
- Co-Founder Brian Carmody
- Executive Producer Drew Santarsiero
- Managing Director/Executive Producer Sue Yeon Ahn
- Editing Final Cut/New York
- Managing Director Justin Brukman
- Executive Post Producer Sarah Roebuck
- Head of Production Penny Ensley
- Senior Post Producer Jen Tremaglio
- Assistant Editor Hannah Wederquist-Keller
- VFX/Color/Finishing Black Kite Studios
- VFX Supervisor Adam Crocker
- Executive Producer Amy Richardson
- Colorist George Kyriacou
- Music Q Department
- Sound Design/Mix Heard City
- Sound Designer/Audio Mixer Evan Mangiamele
- Senior Producer Liana Rosenberg
- Senior Producer B Munoz
- Head of Production Alex Hughes
- Sound Designer/Audio Mixer Mike Vitacco
- Managing Director Gloria Pitagorsky
- Executive Producer Jackie James
- Design Director Satu Pelkonen
- Senior Designer Ryan Carrel
- DP Khalid Mohtaseb
- Production Designer Kelly McGehee
- Editor Daniel Sherwen
- Assistant Editor Thomas Brigden
- Talent Adam Driver
- Chief Creative Officer David Lee
- Copywriter Jose (Pepe) Hernandez
- Creative Director Mathieu Zarbatany
- Design Lead Albert Chang
- Editor Sarah Harvey
- Executive Producer Marisa Wasser
- Production Designer Alexandra Tutelian
- Senior Art Director Alex Thompson
- Senior Designer Zoonzin Yoonjin Lee
- Senior Producer Wes Falik
- Senior Producer Sion Prys
- VP, Creative Ben Hughes
Credits
powered by- Agency Client Direct
- Production Company SMUGGLER
- Director Aoife McArdle
- Co-Founder Patrick Milling-Smith
- Co-Founder Brian Carmody
- Executive Producer Drew Santarsiero
- Managing Director/Executive Producer Sue Yeon Ahn
- Editing Final Cut/New York
- Managing Director Justin Brukman
- Executive Post Producer Sarah Roebuck
- Head of Production Penny Ensley
- Senior Post Producer Jen Tremaglio
- Assistant Editor Hannah Wederquist-Keller
- VFX/Color/Finishing Black Kite Studios
- VFX Supervisor Adam Crocker
- Executive Producer Amy Richardson
- Colorist George Kyriacou
- Music Q Department
- Sound Design/Mix Heard City
- Sound Designer/Audio Mixer Evan Mangiamele
- Senior Producer Liana Rosenberg
- Senior Producer B Munoz
- Head of Production Alex Hughes
- Sound Designer/Audio Mixer Mike Vitacco
- Managing Director Gloria Pitagorsky
- Executive Producer Jackie James
- Design Director Satu Pelkonen
- Senior Designer Ryan Carrel
- DP Khalid Mohtaseb
- Production Designer Kelly McGehee
- Editor Daniel Sherwen
- Assistant Editor Thomas Brigden
- Talent Adam Driver
- Chief Creative Officer David Lee
- Copywriter Jose (Pepe) Hernandez
- Creative Director Mathieu Zarbatany
- Design Lead Albert Chang
- Editor Sarah Harvey
- Executive Producer Marisa Wasser
- Production Designer Alexandra Tutelian
- Senior Art Director Alex Thompson
- Senior Designer Zoonzin Yoonjin Lee
- Senior Producer Wes Falik
- Senior Producer Sion Prys
- VP, Creative Ben Hughes
After flexing his comedic chops in the hugely entertaining Super Bowl teaser, Adam Driver's Big Game spot for Squarespace sees him wryly take on The Singularity.
Playing on the cyclical nature of a website that creates websites, the parodically portentous film features a multitude of besuited clones sucked into a vortex of their own making.
Working as a lovely companion piece to the previous film, the witty observation is brought to tonal-perfect life by SMUGGLER's Aoife McArdle.