Rhian Teasdale turns off the noise with Deutsche Telekom
The Wet Leg frontwoman fights off a barrage of algorithmic backseat drivers in Charlie Engman’s raucous driving film.
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Credits
View on- Agency INGO/Stockholm
- Production Company Colors
- Director Charlie Engman
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Credits
View on- Agency INGO/Stockholm
- Production Company Colors
- Director Charlie Engman
- Production Service Family Production
- Global Chief Creative Officer Daniel Fisher
- Executive Creative Director Anna Salonen
- Executive Creative Director Hanna Stenwall
- Art Director Shilan Shewki
- Copywriter Agnes Nisbel Fjall
- Creative Robin Gunther
- Producer Mattias Colden
- Executive Producer Julie Mathieu Moreau
- Producer Cecilia Kotula
- Talent Rhian Teasdale
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Credits
powered by- Agency INGO/Stockholm
- Production Company Colors
- Director Charlie Engman
- Production Service Family Production
- Global Chief Creative Officer Daniel Fisher
- Executive Creative Director Anna Salonen
- Executive Creative Director Hanna Stenwall
- Art Director Shilan Shewki
- Copywriter Agnes Nisbel Fjall
- Creative Robin Gunther
- Producer Mattias Colden
- Executive Producer Julie Mathieu Moreau
- Producer Cecilia Kotula
- Talent Rhian Teasdale
If your algorithmic suggestions became manifest, what would they look like?
Well, if this anarchic film for Deutsche Telekom from director Charlie Engman is to be believed, kinda like a rampaging horde of mundanity.
Created to champion the brand's Not a Passenger message, the film sees Wet Leg's Rhian Teasdale take the driving seat in a frantic road trip of sorts, all in an attempt to outrun her digital backseat drivers.
Jumping between filmic styles like a baby sister to Crank, this delightfully full-on film, created by INGO and shot through Colors, eschews the polish normally associated with telecommunications brands and instead feels more punk than promotion.
