Impossible growth made impossibly easy with HubSpot
Arts & Letters and HubSpot unveil new campaign, with spots directed by Patrick Daughters and produced by Anonymous Content.
A new campaign, titled Impossible Growth Made Impossibly Easy, highlights the easy use of HubSpot’s AI tools, and how that ease can be a game-changer for growth.
In each spot, we established a reality-distorting, business-physics-breaking world that HubSpot’s AI-powered tools make possible. In particular, Force Multiplier shines a light on HubSpot’s Customer Agent. In the spot, you’ll see the character continually multiply until versions of her turn a cavernous office into a lively, bustling place to work. This represents how HubSpot serves as an extension of support teams, automatically resolving customer queries 24/7.
The integrated campaign just began rolling out and will continue to be live through September 30. It includes a series of spots which you can see running on YouTube and connected TV like Paramount+ and Peacock, along with broadcasts in France, Australia, and Germany. The campaign also includes radio (running on select podcasts like The Daily and Pivot, along with YouTube Podcasts, Spotify and Sirius XM), and OOH (running across the US, Paris, London, Sydney, and Stuttgart, Germany as billboards) to complement the films.
Credits
View on- Agency Arts & Letters/Richmond
- Production Company Anonymous Content
- Director Patrick Daughters
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Credits
View on- Agency Arts & Letters/Richmond
- Production Company Anonymous Content
- Director Patrick Daughters
- Editing Cartel
- VFX Artjail NY
- Animation XYZ (In-House at Arts & Letters/Richmond)
- Sound Design Machine Sound/New York
- Production Service Division Film - Ljubijana, Slovenia - Production CompanyProduction Service
- Creative Director Toliver Roebuck
- Executive Creative Director Charles Hodges
- Executive Creative Director Molly Jamison
- Creative Director Jacob Pankey
- Creative Rob Munk
- Creative Meredith Marino
- Creative Kasey Foster
- HP Lisa Gatto Setten
- Executive Producer Jason Sheldon
- Senior Producer Jourdan Valdes
- Producer Sean Riojas
- Music Supervisor Cam DiNunzio
- Music Supervisor Casey Wheeler
- Creative Manager Ryan Dunstan
- Managing Director Eric Stern
- Executive Producer SueEllen Clair
- Head of Production Ena Nicole Abadjian
- Producer Urska Vardijan
- DP Franz Lustig
- Editor Dan Sherwen
- Executive Producer Evyn Bruce
- Executive Creative Director Steve Mottershead
- Executive Producer John Skeffington
- Head of Production Elizabeth Thuvanuti Keating
- Creative Director Christoph Schroer
- Animator Jason Quarles
- Colorist Mikey Rossiter
- Color Producer Evan Bauer
- Sound Designer Michalis Anthis
- Sound Designer Elizabeth McClanahan
- Mixer Elizabeth McClanahan
- Producer Andi Lewis
- Executive Producer Matej Oreskovic
- Executive Producer Rok Luneznik
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Credits
powered by- Agency Arts & Letters/Richmond
- Production Company Anonymous Content
- Director Patrick Daughters
- Editing Cartel
- VFX Artjail NY
- Animation XYZ (In-House at Arts & Letters/Richmond)
- Sound Design Machine Sound/New York
- Production Service Division Film - Ljubijana, Slovenia - Production CompanyProduction Service
- Creative Director Toliver Roebuck
- Executive Creative Director Charles Hodges
- Executive Creative Director Molly Jamison
- Creative Director Jacob Pankey
- Creative Rob Munk
- Creative Meredith Marino
- Creative Kasey Foster
- HP Lisa Gatto Setten
- Executive Producer Jason Sheldon
- Senior Producer Jourdan Valdes
- Producer Sean Riojas
- Music Supervisor Cam DiNunzio
- Music Supervisor Casey Wheeler
- Creative Manager Ryan Dunstan
- Managing Director Eric Stern
- Executive Producer SueEllen Clair
- Head of Production Ena Nicole Abadjian
- Producer Urska Vardijan
- DP Franz Lustig
- Editor Dan Sherwen
- Executive Producer Evyn Bruce
- Executive Creative Director Steve Mottershead
- Executive Producer John Skeffington
- Head of Production Elizabeth Thuvanuti Keating
- Creative Director Christoph Schroer
- Animator Jason Quarles
- Colorist Mikey Rossiter
- Color Producer Evan Bauer
- Sound Designer Michalis Anthis
- Sound Designer Elizabeth McClanahan
- Mixer Elizabeth McClanahan
- Producer Andi Lewis
- Executive Producer Matej Oreskovic
- Executive Producer Rok Luneznik
“Each of the spots bends the rules of time in a different way,” said Patrick Daughters, Director. “Motion control was the ideal technique because it is essentially a tool that allows the camera to cheat the constraints of time. Shooting practically was important to keep the spots feeling real and human. It's more effective advertising to portray powerful tech as something that amplifies a person's skill rather than replaces it. So, wherever possible we did things in camera, often in several passes, with little to no CGI. Doing things for real also has the added bonus of making the shoot fun and engaging for everyone involved.”
"In these spots, capturing the impossible in a believable way was key,” said Toliver Roebuck, Creative Director at Arts & Letters. “It made the most sense to shoot practically, with multiple in-camera techniques, to ground our physics-defying scenes in reality. While it sounds counterintuitive, by integrating motion-controlled and high-speed cameras with precise choreography, we were able to significantly reduce the CGI needed for the spots.
In the Force Multiplier spot, motion control allowed us to do several passes, each time having our talent play the part of different versions of herself. We were then able to stitch each pass together seamlessly creating a powerful multiplicative effect with moments where our talent interacted with herself leaving viewers with a "wow, how did they do that?" reaction.
Filming practically also came with the added benefit of making for a fun shoot filled with on-set music and good vibes."