Cannes Contenders: UK
Lee Tan, Executive Creative Director at Motel London, picks his selection of UK work - ranging from clever context to brilliant craft - that he thinks could come home from Cannes Lion-laden.
International Paralympic Committe #Wethe15
The UK had a big haul of Lions in 2021 and this year looks like being a strong one too. Of course, a list this short means leaving out many of the hot contenders, but I picked this selection to show a range of work with strengths ranging from point of view, to context, to craft, to sheer downright cheekiness.
The film from WeThe15 deserves to win and should do. It’s beautifully delivered in every way and will hold its own against all the big, epic films on show this year. But it’s the point of view that makes this such a stunningly memorable piece of work. I remember watching it for the first time thinking how I hadn’t heard these voices before but it’s about time we all did.
Credits
powered by- Agency adam&eveDDB/London
- Production Company Pulse Films/London
- Director Sam Pilling
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency adam&eveDDB/London
- Production Company Pulse Films/London
- Director Sam Pilling
- Service Production in Bangkok Indochina Productions
- Editor Ellie Johnson
- Editor Liam Bachler
- Post Production Untold Studios
- Grade Simon Bourne
- Audio Post Production 750mph
- Music Soundtree Music
- Chief Creative Officer Richard Brim
- Global Creative Director Laura Rogers
- Campaign Creative Team Edward Usher
- Campaign Creative Team Xander Hart
- Film Creative Team Selma Ahmed
- Film Creative Team Genevieve Gransden
- Creative Technology Director Hash Milhan
- Deputy Head of Production Jack Bayley
- Producer Rebecca Holt
- Producer Hannah Needham
- Integrated Assistant Producer Richard Bailey
- Managing Director and Executive Producer James Sorton
- Executive Producer Lucy Kelly
- Executive Producer Davud Karbassioun
- Producer David French
- DP Alex Barber
- 1st AD James Sharpe
- Production Manager Tom Nutting
- DP Shaun Harley Lee
- Executive Producer Nicholas Simon
- Post Producer Tomek Zietkiewicz
- Audio Engineer Sam Ashwell
- Audio Engineer Mark Hellaby
- Music Supervisor Jay James
- Music Producer Neil Athale
Credits
powered by- Agency adam&eveDDB/London
- Production Company Pulse Films/London
- Director Sam Pilling
- Service Production in Bangkok Indochina Productions
- Editor Ellie Johnson
- Editor Liam Bachler
- Post Production Untold Studios
- Grade Simon Bourne
- Audio Post Production 750mph
- Music Soundtree Music
- Chief Creative Officer Richard Brim
- Global Creative Director Laura Rogers
- Campaign Creative Team Edward Usher
- Campaign Creative Team Xander Hart
- Film Creative Team Selma Ahmed
- Film Creative Team Genevieve Gransden
- Creative Technology Director Hash Milhan
- Deputy Head of Production Jack Bayley
- Producer Rebecca Holt
- Producer Hannah Needham
- Integrated Assistant Producer Richard Bailey
- Managing Director and Executive Producer James Sorton
- Executive Producer Lucy Kelly
- Executive Producer Davud Karbassioun
- Producer David French
- DP Alex Barber
- 1st AD James Sharpe
- Production Manager Tom Nutting
- DP Shaun Harley Lee
- Executive Producer Nicholas Simon
- Post Producer Tomek Zietkiewicz
- Audio Engineer Sam Ashwell
- Audio Engineer Mark Hellaby
- Music Supervisor Jay James
- Music Producer Neil Athale
Bombay Sapphire Creativity is Essential
Finding legal loopholes for a positive cause also seems to chime well at Cannes. Bombay Sapphire’s Creativity is Essential is a great example of that. It’s also incredibly well designed, and achieved that rare thing of actually getting talked about by the general public. You had to go early in the morning to avoid waiting ages in the queue to get inside. Well, that is work that truly worked.
Credits
powered by- Agency AMV BBDO/London
-
-
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency AMV BBDO/London
Credits
powered by- Agency AMV BBDO/London
Burberry Open Spaces
Burberry’s Open Spaces is also likely to do well. It’s hypnotically watchable for its entire two-plus minutes. That’s a big achievement, especially when we’re constantly told everything has to happen in the first two seconds these days. It might miss out on the very highest accolades because the idea bears a certain likeness to a Levi’s blockbuster two decades ago. But that won’t stop it from picking up a luxury leather suitcase full of metallic lions... and rightly so.
Credits
powered by- Agency Client Direct
- Production Company Riff Raff
- Director Megaforce
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Client Direct
- Production Company Riff Raff
- Director Megaforce
- Edit Company Final Cut/London
- SFX MachineShop
- Editor Joe Guest
- VFX The Mill/New York
- Creative Director Alex Lovejoy
- Senior VFX Producer Ryan Hancocks
- Sound Design Sam Ashwell
- Brand
- Producer Will Preston George
- Production Designer Marco Puig
- DP Justin Brown
- Colorist Emiliano Serantoni
- Choreographer (LA)HORDE
- Stylist Ana Steiner
- Hair Stylist Hiroshi Matsushita
- Makeup Artist Gemma Smith-Edhouse
- Sound Designer Jake Ashwell
- Producer Cathy Hood
- Chief Creative Officer Riccardo Tisci
Credits
powered by- Agency Client Direct
- Production Company Riff Raff
- Director Megaforce
- Edit Company Final Cut/London
- SFX MachineShop
- Editor Joe Guest
- VFX The Mill/New York
- Creative Director Alex Lovejoy
- Senior VFX Producer Ryan Hancocks
- Sound Design Sam Ashwell
- Brand
- Producer Will Preston George
- Production Designer Marco Puig
- DP Justin Brown
- Colorist Emiliano Serantoni
- Choreographer (LA)HORDE
- Stylist Ana Steiner
- Hair Stylist Hiroshi Matsushita
- Makeup Artist Gemma Smith-Edhouse
- Sound Designer Jake Ashwell
- Producer Cathy Hood
- Chief Creative Officer Riccardo Tisci
KFC UntilWeCanFingerLickAgain
Speaking of likenesses, I love Mother's KFC’s UntilWeCanFingerLickAgain. When the pandemic rendered KFC’s tagline unusable, they simply stole the famous taglines of other brands, breaking the most sacred rule of advertising creativity in the process. The work is a triumph and I hope the judges in that dark room in the South of France will agree.
Klarna Mythbuster
Changing public opinion is a difficult thing to do. And when we’re talking about a financial institution, well, that just about makes it nigh impossible. But when Klarna’s reputation came under attack, with misconceptions about the bank spreading in newspapers and on social media, they did something unexpected. They embraced the myths and put them up as stunning mythical paintings on perhaps the world’s oldest advertising medium: the wall.
Of course, the eagle-eyed of you might see I gave one of our own a little plug. But as a start-up, I hope you’ll forgive me.
Credits
powered by- Agency Motel/London
-
-
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Motel/London
Credits
powered by- Agency Motel/London