Cannes Contenders: Branded Entertainment
Morgan Whitlock, Managing Director and Executive Producer at The Sweetshop London, examines some of the longer-form work that he believes could make the jury sit up an take note in Cannes.
AXA Group Therapy
I watched and loved Group Therapy with no idea it was brand funded. Which is probably the first test any piece of work in this category needs to pass. Watching some of the world’s best comedians discuss their mental health was moving, insightful, impactful and, at times, properly funny.
What projects like Group Therapy achieve is the next level.
Earned media has often been a gold standard for judging an idea’s effectiveness, a prominent feature of the best case study videos, but what projects like Group Therapy achieve is the next level; AXA and WPP have secured a broadcast release for their message, they have been paid (maybe not the full budget!) to create it. How effective is that?!
Credits
View on- Agency WPP/Paris
- Production Company Hartbeat
- Director Neil Berkeley
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Credits
View on- Agency WPP/Paris
- Production Company Hartbeat
- Director Neil Berkeley
- Ad Agency VML/Paris
- Global Chief Creative Officer Debbi Vandeven
- Chief Creative Officer Jaime Mandelbaum
- Chief Creative Officer Bas Korsten
- Chief Creative Officer Dimitri Guerassimov
- Art Director Maxime Konieczynski
- Copywriter Clement Maillot
- Producer Kevin Hart
- Producer Bryan Smiley
- Producer Luke Kelly-Clyne
- Producer Kevin Healey
- Executive Producer Ulrike Decoene
- Executive Producer Virginie Bercot
- Executive Producer Arthur Lenfant
- Executive Producer Chet Fenster
- Executive Producer Adam Puchalsky
- Executive Producer Ty Walker
- Executive Producer Neil Berkeley
- Executive Producer Nathalie Moruzzi
- Executive Producer Lindsay Alexis
- DP Graham Willoughby
- Editor Billy McMillin
- Sound Design Peter Mullen
Explore full credits, grab hi-res stills and more on shots Vault

Credits
powered by- Agency WPP/Paris
- Production Company Hartbeat
- Director Neil Berkeley
- Ad Agency VML/Paris
- Global Chief Creative Officer Debbi Vandeven
- Chief Creative Officer Jaime Mandelbaum
- Chief Creative Officer Bas Korsten
- Chief Creative Officer Dimitri Guerassimov
- Art Director Maxime Konieczynski
- Copywriter Clement Maillot
- Producer Kevin Hart
- Producer Bryan Smiley
- Producer Luke Kelly-Clyne
- Producer Kevin Healey
- Executive Producer Ulrike Decoene
- Executive Producer Virginie Bercot
- Executive Producer Arthur Lenfant
- Executive Producer Chet Fenster
- Executive Producer Adam Puchalsky
- Executive Producer Ty Walker
- Executive Producer Neil Berkeley
- Executive Producer Nathalie Moruzzi
- Executive Producer Lindsay Alexis
- DP Graham Willoughby
- Editor Billy McMillin
- Sound Design Peter Mullen
Apple Submerged
Apple and TBWA\MAL continue to work with some of the world’s best filmmakers (and props to them for giving Takeshi Mike the keys) and consistently create brilliant content for the brand. Submerged stands apart.
It’s a film that deserves a wider audience.
Not only did [director] Edward Berger and the team create a brilliant, compelling short film, but they did so in a brand-new format, developing the technology to create it as they went. It is a shame it’s only available on the Apple Vision Pro, it’s a film that deserves a wider audience, and it’s undoubtedly an incredible calling card for the tech.
Credits
View on- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company The Sweetshop/Los Angeles
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Credits
View on- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company The Sweetshop/Los Angeles
- Editing EXILE Edit
- Sound Design Formosa Group
Explore full credits, grab hi-res stills and more on shots Vault

Credits
powered by- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company The Sweetshop/Los Angeles
- Editing EXILE Edit
- Sound Design Formosa Group
Riyadh Season 5 x 5
Big Time’s work for Saudi Arabia's Riyadh Season has come to define contemporary boxing advertising. The promos they’re creating might not be to everyone’s taste, they’re unapologetically aimed straight at the sports core audience, and are big, brash, violent and exciting.
The perfect calling card for the event.
This was another level: 5x5 was a brilliant way of creating added interest to a sporting event through a shift in format, blending elements from talent shows and other TV genres, placing the rivalry between two of the world’s best known promoters front and centre. And while the accompanying Guy Ritchie homage of an ad might not win any prizes for originality, it’s the perfect calling card for the event.
Credits
View on- Agency Bigtime Creative Shop/Riyadh
- Production Company Reset
- Director Guy Ritchie
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Credits
View on- Agency Bigtime Creative Shop/Riyadh
- Production Company Reset
- Director Guy Ritchie
- Edit Company Marshall Street Editors (MSE)
- VFX Company Framestore/London
- Sound Design 750mph
- Chief Creative Officer Rayyan Aoun
- Senior Producer Inas Nagy
- Executive Producer Dave Morrison / (Managing Director)
- Executive Producer Chris Barrett
- Executive Producer Jani Guest
- Producer Annabel Ridley
- Production Designer Sophie Becher
- DP Ed Wild
- Editor Patric Ryan
- Producer Faye Butler
- Post Producer Verity White
- Colorist Jean-Clement Soret
- Colorist Matthieu Toullet
- Executive Creative Director/VFX Supervisor William Bartlett
- Executive Producer Anna MacDonald / (Senior Producer)
- Producer Dale Amanda Heron
- Sound Designer Sam Ashwell
- Audio Post Jack Chown
- Music Supervisor Dave Goulding
Explore full credits, grab hi-res stills and more on shots Vault

Credits
powered by- Agency Bigtime Creative Shop/Riyadh
- Production Company Reset
- Director Guy Ritchie
- Edit Company Marshall Street Editors (MSE)
- VFX Company Framestore/London
- Sound Design 750mph
- Chief Creative Officer Rayyan Aoun
- Senior Producer Inas Nagy
- Executive Producer Dave Morrison / (Managing Director)
- Executive Producer Chris Barrett
- Executive Producer Jani Guest
- Producer Annabel Ridley
- Production Designer Sophie Becher
- DP Ed Wild
- Editor Patric Ryan
- Producer Faye Butler
- Post Producer Verity White
- Colorist Jean-Clement Soret
- Colorist Matthieu Toullet
- Executive Creative Director/VFX Supervisor William Bartlett
- Executive Producer Anna MacDonald / (Senior Producer)
- Producer Dale Amanda Heron
- Sound Designer Sam Ashwell
- Audio Post Jack Chown
- Music Supervisor Dave Goulding
Libresse Never Just a Period
The audience shift away from watching scheduled TV has undoubtedly been a huge challenge for the industry, one so keenly felt by production companies and directors. But where once upon a time a longer version of the ad or a directors cut was a pastime pursued by the production company for the showreel, to the annoyance of pretty much everyone else involved in the project, today the digital-first nature of advertising means creatives and directors are free to let rip. The only caveat is that it has to hold our interest, and boy, does Lucy Forbes achieve that here.
Credits
View on- Agency AMV BBDO/London
- Production Company SMUGGLER/London
- Director Lucy Forbes
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Credits
View on- Agency AMV BBDO/London
- Production Company SMUGGLER/London
- Director Lucy Forbes
- Edit Company tenthree
- Post Company Framestore/London
- Colorist Toby Tomkins
- Color Producer Sarah Banks
- Sound Design 750mph
- Music Company Soundtree Music
- Production Service Emote
- Chief Creative Officer Nicholas Hulley
- Chief Creative Officer Nadja Lossgott
- Creative Lauren Peters
- Creative Augustine Cerf
- Creative Design Director Vanessa Fowler Kendall
- Designer Dian Sofia
- Producer Rebecca Sharf
- Executive Producer Lucy Kelly
- Producer Claire Jones
- Casting Director Ali Fearnley
- DP Polly Morgan / (DP)
- Producer Ed Hoadley
- Producer Rachel Goodger
- Editor Ellie Johnson
- Editor Elena De Palma
- Editor Liam Bachler
- Creative Director Sharon Lock
- Producer Sara Beckman
- VFX Supervisor Murray Butler
- Producer Olivia Ray
- Producer Carla Thomas
- Sound Designer Giselle Hall
- Sound Designer Sam Ashwell
- Composer Peter Raeburn
- Music Supervisor Jay James
- Music Supervisor Colin McIlhagga
- Executive Producer Bogdan Petkovic
Explore full credits, grab hi-res stills and more on shots Vault

Credits
powered by- Agency AMV BBDO/London
- Production Company SMUGGLER/London
- Director Lucy Forbes
- Edit Company tenthree
- Post Company Framestore/London
- Colorist Toby Tomkins
- Color Producer Sarah Banks
- Sound Design 750mph
- Music Company Soundtree Music
- Production Service Emote
- Chief Creative Officer Nicholas Hulley
- Chief Creative Officer Nadja Lossgott
- Creative Lauren Peters
- Creative Augustine Cerf
- Creative Design Director Vanessa Fowler Kendall
- Designer Dian Sofia
- Producer Rebecca Sharf
- Executive Producer Lucy Kelly
- Producer Claire Jones
- Casting Director Ali Fearnley
- DP Polly Morgan / (DP)
- Producer Ed Hoadley
- Producer Rachel Goodger
- Editor Ellie Johnson
- Editor Elena De Palma
- Editor Liam Bachler
- Creative Director Sharon Lock
- Producer Sara Beckman
- VFX Supervisor Murray Butler
- Producer Olivia Ray
- Producer Carla Thomas
- Sound Designer Giselle Hall
- Sound Designer Sam Ashwell
- Composer Peter Raeburn
- Music Supervisor Jay James
- Music Supervisor Colin McIlhagga
- Executive Producer Bogdan Petkovic
Hinge No Ordinary Love
Will a collection of short stories win in a category dominated by films and activations? I’d guess not, with so many campaigns to judge, the jury may miss something less immediate and visually arresting. Which would be a shame. Hinge and Dazed Studio have engaged with contemporary culture beautifully with this series, commissioning work from some of the most exciting new authors to give expression and redefine love for a new generation.
Hinge and Dazed Studio have engaged with contemporary culture beautifully with this series.
As a father of a teenager, I’ve seen the proliferation of a new generation of romance novel, with so many lacking Sally Rooney’s nuance and craft. A brand that isn't just riding a cultural wave, but is looking to shape it for the better, deserves recognition.
O Boticario The Storm/The Glass House/Plans
Over 12 months O Boticario, AlmapBBDO and directing duo Kid Burro created a series of three short films, exploring the challenges and stresses of modern relationships. The themes were nuanced and complex - the loss a parent feels as their child becomes a young adult, the strains on sibling relationships as a parent becomes a dependent, and the pressures and stigmas that come with “trying” for a baby.
Another example of how the longer run time of an online release can be used to turn advertising into something more.
They were told beautifully, never dumbing down or shying away from the realities of these issues and are another example of how the longer run time of an online release can be used to turn advertising into something more.