Cannes Contenders 2026: France
As we draw inexorably closer to this year's Cannes Lions festival, we head to France to begin our annual appraisal of the year's most creative work, as Matthieu Bouilhot, Creative Director at BETC Paris, casts a critical eye over some of the country's best hopes for metalware.
French Firefighters FireCatchers
The brilliance of FireCatchers lies in a very simple insight: the 'dead time' spent waiting for a Twitch stream to start. HavasPlay took this moment of passive waiting and flipped it on its head, turning a bored audience into active guardians of the environment. Instead of looking at a countdown, viewers are looking at live forest feeds, ready to help firefighters.
A perfect bridge between digital culture and real-world survival.
It’s a perfect bridge between digital culture and real-world survival. With hundreds of thousands of people already onboard, and the tool set to go international (in both Greece and Slovenia), it proves that a gaming community can be a massive force for the collective good when given the right tools.
Credits
View on- Agency HavasPlay Paris
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powered by- Agency HavasPlay Paris
Motrio The Wonderful Tale Of Motrio
A great parody, with an amazing level of craft to put you in this story right away. The lighting, the heavy silence of the barn, the music, and the humour is also spot on. We all have the Robert Redford reference in mind, so when the mechanic tries to soothe the 'beast' by offering it a 'magical' scented tree air freshener, you can't help but smile.
It’s clever, it’s beautiful, and it's funny.
That contrast between the solemn, 'horse whisperer' vibe and the absurdity of an old car getting trained... it’s clever, it’s beautiful, and it's funny. Kudos Buzzman!
Credits
View on- Agency Buzzman/Paris
- Production Company Birth Paris
- Director Hugues De la Brosse
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Credits
View on- Agency Buzzman/Paris
- Production Company Birth Paris
- Director Hugues De la Brosse
- Editor Basile Belkhiri
- Senior Colorist Elodie Ichter
- Sound Design Start-Rec
- Composer Alex Jaffray
- Producer Ayman Jaroudi
- Producer Elodie Aubry
- Creative Director David Derouet
- Creative Director Patrice Lucet
- Copywriter Hugo Piedfort
- Copywriter Max Cossart
- Producer Hugo Besson
- Director of Production Hugo Merival
- Production Designer Momchil Tasev
- DP Rodrigo Prieto
- Post Producer Cecile Talmon
- Head of Post Production Romain Gingembre
- Sound Producer Pierre-Antoine Pilat
- Producer Mathieu Francois
- Sound Engineer Roman Dutour
- Audio Mixer Etienne Espannet
- Composer Lohengrin Aloys
- Composer Gilles Facerias
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Credits
powered by- Agency Buzzman/Paris
- Production Company Birth Paris
- Director Hugues De la Brosse
- Editor Basile Belkhiri
- Senior Colorist Elodie Ichter
- Sound Design Start-Rec
- Composer Alex Jaffray
- Producer Ayman Jaroudi
- Producer Elodie Aubry
- Creative Director David Derouet
- Creative Director Patrice Lucet
- Copywriter Hugo Piedfort
- Copywriter Max Cossart
- Producer Hugo Besson
- Director of Production Hugo Merival
- Production Designer Momchil Tasev
- DP Rodrigo Prieto
- Post Producer Cecile Talmon
- Head of Post Production Romain Gingembre
- Sound Producer Pierre-Antoine Pilat
- Producer Mathieu Francois
- Sound Engineer Roman Dutour
- Audio Mixer Etienne Espannet
- Composer Lohengrin Aloys
- Composer Gilles Facerias
Association Antoine Alléno 2036
This campaign is a great example of massive, contextual hijacking. By taking over the Arc de Triomphe, the global epicentre of New Year’s Eve here in France, Havas Paris turned a moment of pure celebration into a giant question mark for the French population, as we are all watching its countdown on TV for New Year's Eve. A perfect example of live, outdoor advertising, that goes way beyond its original audience.
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powered byThe Museum of the Great War The Broken Souls
This campaign takes photography and craft to a whole new level. It’s rare to see an agency go this far into the physical process to tell a story. In an era where everyone rushes to use AI, BBDO Paris did the opposite: they inflicted real physical trauma on the medium to illustrate mental trauma.
This campaign takes photography and craft to a whole new level.
By burying posters in actual trenches for ten days and using 1,916 layers of paper to build a soldier’s face, they transformed advertising into a visceral piece of art. For a Cannes jury, this rejection of digital shortcuts in favour of a raw, agonising process is exactly what defines excellence in the Industry Craft category.
Credits
View on- Agency BBDO/Paris
- Chief Creative Officer Alexander Kalchev
- Art Director Julien Beuvry
- Copywriter Sonia Dos Santos
- Copywriter Benoit Oulhen
- Associate Director Olivier Massanella
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Credits
powered by- Agency BBDO/Paris
- Chief Creative Officer Alexander Kalchev
- Art Director Julien Beuvry
- Copywriter Sonia Dos Santos
- Copywriter Benoit Oulhen
- Associate Director Olivier Massanella
La Poste Delivered by Tetris
The Tetris analogy is fantastic. It’s the perfect insight: we’ve all tried to cram too many things into a car trunk or a closet the way we used to play Tetris. By leaning into this, La Poste takes complex algorithmic calculations about CO2 reductions and makes them instantly understandable, even playful. Beyond the logic of the analogy, the formal partnership is extraordinary. It’s a clash of two worlds that allows us to see the power of gaming from a completely fresh perspective, proving that even a 'vintage' video game can be a massive lever for modern industrial change.
Credits
View on- Agency BETC Paris/France
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Credits
powered by- Agency BETC Paris/France