Pete Cain's top 10 comedy spots (and more)
To accompany his interview for our comedy focus, Pete Cain has listed his 10 favourite comedic commercials, along with a few bonus additions.
I've taken the liberty of compiling a list of my favourite funny ads. Well, the ones I can recall anyway, which I suppose is testament in its own right to their credentials as adverts
Getting it down to 10, and not including Heineken, Campari, PlayStation, Lynx, or Nike, to name a few, was tough. If I made the list 10 times, it would be different every time, but I wanted to be sure to include some ads other than the usual suspects. Hopefully, no-one will have seen all of them.
Great humour is a sure-fire attractor that gives the ad the opportunity to engage the consumer long enough to sell to them.
Having sought these ads out and evaluated why I find them funny, I've concluded that although I have a relatively dark sense of humour, the common thread is a self-effacing wit. Nothing is amusing in a sycophantic ad. Great humour is a sure-fire attractor that gives the ad the opportunity to engage the consumer long enough to sell to them.
Attract. Engage. Reward; the basic rules of advertising never change. That's why the humour must be synonymous with the product or, more accurately, the human behaviour around it.
Click here to read the full interview with Pete Cain.
My top 10 favourite funny ads (today, at least)
1. Alka Seltza Lifeboat
This ad made me laugh out loud when I first saw it. The proposition is the end line, and it's perfectly executed. A slow, quiet film in the middle of a busy ad break often stands out like a donkey's dick.
Credits
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- Production Company Park Village
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powered by- Production Company Park Village
- Creative Peter Souter
- Creative Pat Doherty
- Creative Greg Martin
- Director Roger Woodburn
Credits
powered by- Production Company Park Village
- Creative Peter Souter
- Creative Pat Doherty
- Creative Greg Martin
- Director Roger Woodburn
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- Production Company Station Film
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powered by- Production Company Station Film
- Editing Company MacKenzie Cutler
- Post Production Schmidgital
- Editor Gavin Cutler
- Copywriter Matty Smith
- Executive Creative Director Eric Kallman
- Executive Producer Eric Liney
- Executive Producer Tom Rossano
- Executive Producer Sasha Hirschfield
- Chief Creative Officer Gerry Graf
- Director Harold Einstein
- Producer Amanda Revere
- Creative Director Joey Ianno
- Assistant Editor
- Assistant Editor
- Assistant Editor Ryan Steele
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powered by- Production Company Station Film
- Editing Company MacKenzie Cutler
- Post Production Schmidgital
- Editor Gavin Cutler
- Copywriter Matty Smith
- Executive Creative Director Eric Kallman
- Executive Producer Eric Liney
- Executive Producer Tom Rossano
- Executive Producer Sasha Hirschfield
- Chief Creative Officer Gerry Graf
- Director Harold Einstein
- Producer Amanda Revere
- Creative Director Joey Ianno
- Assistant Editor
- Assistant Editor
- Assistant Editor Ryan Steele
3. Fed-Ex Castaway
Funny as fuck! A good test for a funny ad is to imagine it in a sketch show. If it's funnier as an ad because of the product, then I consider it great. The product must be central to the comedy. The real challenge here was writing the woman's dialogue. Very difficult to get that right. She delivered it perfectly, as did the Fed-Ex guy.
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powered by- Agency DDB Chicago/United States of America
- Production Company Central Films North
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Credits
powered by- Agency DDB Chicago/United States of America
- Production Company Central Films North
- Director Rodrigo Garcia Saiz
Credits
powered by- Agency DDB Chicago/United States of America
- Production Company Central Films North
- Director Rodrigo Garcia Saiz
5. Old Spice The Man Your Man Could Smell Like (case study)
I put the case study in because it's the perfect example of a brilliant campaign being born out of the research. Understanding the buying pattern opened the door to the idea. Simply brilliant.
6. Outpost.com Cannon; Forehead; Band
Surely, the bravest client ever! No one forgot their name, so mission accomplished there. I just wonder how well it worked in terms of sales figures.
7. Hamlet Photo Booth
I grew up watching this wonderful campaign. I'm fond of all of them. Happiness was seeing a new one. The comedy timing in Photo Booth was perfection itself. I'd like to know how many takes it took to get right... answers on a postcard.
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- Editor David Garland
- Director of Photography David Walsh
- Creative Garry Horner
- Creative Phillip Differ
- Creative Rowan Dean
- Director Graham Rose
- Producer John Hackney
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- Editor David Garland
- Director of Photography David Walsh
- Creative Garry Horner
- Creative Phillip Differ
- Creative Rowan Dean
- Director Graham Rose
- Producer John Hackney
8. John West Salmon Bear
Written by the late, great Paul Silburn. He was an exceptionally funny ad writer.
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- Director Daniel Kleinman
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powered by- Agency Leo Burnett London
- Director Daniel Kleinman
- Post Production Cut+Run/London
- Producer David Botterell
- Creative Paul Silburn
- Creative Mark Tutssel
- Creative Nick Bell
- Editor Steve Gandolphi
- Director of Photography Stephen Blackman
- Agency Producer Charlie Gatsky
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powered by- Agency Leo Burnett London
- Director Daniel Kleinman
- Post Production Cut+Run/London
- Producer David Botterell
- Creative Paul Silburn
- Creative Mark Tutssel
- Creative Nick Bell
- Editor Steve Gandolphi
- Director of Photography Stephen Blackman
- Agency Producer Charlie Gatsky
9. Tide It's A Tide Ad (case study)
In my book, this is the greatest ad of all time. It's inherently funny too. We are in the business of putting products at the top of people's minds. This one took up a whole aisle. It made consumers think about the product while they were watching ads for entirely different products. Now, that’s a dirty trick, and they got clean away with it. Genius.
10. John Webster's work
I could have filled this list with John Webster's work. He is the grandmaster of funny British advertising, from the Smash Martians and Humphrey, the Unigate milk addict, to John Smith's and the Hofmietser bear. John wrote the ad break to the lives of the nation across three decades. He had the skills of a great sitcom writer, able to isolate the right human characteristics to show off the product in the best and funniest way. The word legend is bandied about all too cheaply these days, particularly in advertising, but John is a genuine, proper, bonafide legendary, legend.
Three favourite funny ads currently running
1. Halo Top Because Adults Need a Lot of Ice-Cream
Again, the proposition is the end line, nothing wrong with that when it's as pure and creamy as this one. It's beautifully written too. Such acerbic wit must be applauded.
2. Yorkshire Tea Induction
I love this campaign. I use it to explain to my students at the SCA how, in the right hands, a seemly plain proposition, 'We do everything proper', can be turned into brilliant work. It still amazes me that it's warm enough in Yorkshire to grow tea leaves.
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powered by- Agency Lucky Generals/London
- Production Company Moxie Pictures/London
- Director Martin Granger
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powered by- Agency Lucky Generals/London
- Production Company Moxie Pictures/London
- Director Martin Granger
- Editing Final Cut/London
- Post Production Framestore/London
- Sound Design 750 mph
- Producer Jessica Ensor
- Editor David Webb
- Grade Tim Maurice-Jones
- Sound Designer Sam Robson
- Talent Sean Bean
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powered by- Agency Lucky Generals/London
- Production Company Moxie Pictures/London
- Director Martin Granger
- Editing Final Cut/London
- Post Production Framestore/London
- Sound Design 750 mph
- Producer Jessica Ensor
- Editor David Webb
- Grade Tim Maurice-Jones
- Sound Designer Sam Robson
- Talent Sean Bean
3. Moneysupermarket Money Calm Bull
Ok, they’ve stretched the strategy a bit, but they’ve executed this really well, with the funniest use of a bull in a china shop ever. It’s a cracker.
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powered by- Agency Engine/London
- Production Company Blink Productions
- Director Nick Ball
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- Production Company Blink Productions
- Director Nick Ball
- Editing Stitch
- Post Production Untold Studios
- Sound Design Jungle Studios
- Executive Producer Paul Weston
- Producer Ewen Brown
- Editor Leo King
- Sound Designer Ben Leeves
- Assistant Producer Victoria Doran
- Chief Creative Officer Billy Faithfull
- Creative Charlie Gee
- Creative Tian Murphy
- Creative Director Christopher Ringsell
- Designer Eric Chia
- Designer Abbi Chard
- Producer Leila Bartlam
- VO Matt Berry
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powered by- Agency Engine/London
- Production Company Blink Productions
- Director Nick Ball
- Editing Stitch
- Post Production Untold Studios
- Sound Design Jungle Studios
- Executive Producer Paul Weston
- Producer Ewen Brown
- Editor Leo King
- Sound Designer Ben Leeves
- Assistant Producer Victoria Doran
- Chief Creative Officer Billy Faithfull
- Creative Charlie Gee
- Creative Tian Murphy
- Creative Director Christopher Ringsell
- Designer Eric Chia
- Designer Abbi Chard
- Producer Leila Bartlam
- VO Matt Berry
1. Go Compare When It Matters
Droga 5 is like a funny friend. They always make me laugh, and this campaign is no exception. Let's deconstruct it. First, they strip the message down to one simple, salient point. They then take the irritating brand ambassador and, instead of telling the client to ditch him, they stick him in a ditch via a car crash. Now, that’s both unexpected and hilariously good advertising.
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- Production Company Biscuit Filmworks/UK
- Director Jeff Low
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powered by- Agency Droga5/London
- Production Company Biscuit Filmworks/UK
- Director Jeff Low
- Post Production The Mill/London
- Creative Director Ed Redgrave
- Creative Director Dave Wigglesworth
- Creative Sara Sutherland
- Producer Peter Montgomery
- Producer Kwok Yau
- Editor Annie Perri
- Sound Designer Sam Ashwell
- DP Simon Duggan
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powered by- Agency Droga5/London
- Production Company Biscuit Filmworks/UK
- Director Jeff Low
- Post Production The Mill/London
- Creative Director Ed Redgrave
- Creative Director Dave Wigglesworth
- Creative Sara Sutherland
- Producer Peter Montgomery
- Producer Kwok Yau
- Editor Annie Perri
- Sound Designer Sam Ashwell
- DP Simon Duggan
Bonus ad; my favourite funny endline
Sekonda Backslap
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powered by- Agency M&C Saatchi London
- Production Company Blink Productions
- Director Kevin Thomas
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- Production Company Blink Productions
- Director Kevin Thomas
- Post Production The Mill/London
- Editor Rick Lawley
- Producer Rebecca Brierley
- Creative Simon Dicketts
- Creative Tony Barry
- Director of Photography Barry Ackroyd
- Creative James Lowther
- Creative Kevin Thomas
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powered by- Agency M&C Saatchi London
- Production Company Blink Productions
- Director Kevin Thomas
- Post Production The Mill/London
- Editor Rick Lawley
- Producer Rebecca Brierley
- Creative Simon Dicketts
- Creative Tony Barry
- Director of Photography Barry Ackroyd
- Creative James Lowther
- Creative Kevin Thomas