In order to win, brands need to recognise that the World Cup is a different game
With the FIFA World Cup kicking off today, Kerel Cooper, CMO at MarketCast, looks at the opportunities for brands and why football's greatest show is a huge opportunity for the brands that know how to approach it.
The 2026 FIFA World Cup is kicking off in North America tomorrow, and with it comes one of the most significant brand marketing opportunities in a generation.
But, only for brands willing to treat it like one. The temptation will be to reach for the Super Bowl playbook; high production, big celebrities, broad emotional arc. That's understandable as it's a proven formula for a proven format.
There is no single audience for the World Cup, but that's not a challenge. That's the opportunity.
The difference is, the Super Bowl is one night, the audience is largely American, largely English-speaking, and brands have had decades of data to refine exactly what lands. The World Cup is a different game entirely. Forty-eight teams, three host countries, weeks of competition across time zones, languages and fan cultures that don't all look the same.
There is no single audience for the World Cup, but that's not a challenge. That's the opportunity.
Above: With the World Cup having such a broad audience, it's an opportunity for brands to connect.
Take men's soccer in the US. A significant share of viewers are watching in Spanish. Telemundo's inventory is nearly sold out. Hispanic fans aren't a niche segment of the World Cup audience in America, they're the engine behind it. The brands that recognised this early built strategies accordingly. They'll show up this summer with creative that actually connects.
The brands that have built lasting commercial impact from that event, year-after-year, did the audience work before they briefed the creative.
Women's soccer tells its own story. A younger fan base, more digitally native, engaged with sponsors in ways that differ meaningfully from the men's game. These fans came to the sport through athletes they admire and narratives that resonated with them personally. The brands that earn their attention will be the ones that show up feeling genuinely connected to the sport.
Here's where the Super Bowl lesson actually does transfer. The brands that have built lasting commercial impact from that event, year-after-year, did the audience work before they briefed the creative. They knew exactly who they were talking to, what made that person respond emotionally, and how to tie their brand to a feeling that outlasts the final whistle. Then they measured whether it moved people
Credits
View on- Agency Wieden + Kennedy/Portland
- Production Company Somesuch/USA
- Director Dan Streit
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Credits
View on- Agency Wieden + Kennedy/Portland
- Production Company Somesuch/USA
- Director Dan Streit
- Executive Producer/Managing Director Seth Wilson
- Executive Producer Ryland Burns
- Editing Trim
- Executive Post Producer Noreen Khan
- Executive Post Producer Michael Miller
- Post Producer Tatyana Alexandra
- Post Producer Polly Kemp
- Post Producer Lisee Garza
- Editor Paul Hardcastle
- Editor Lucas Raimondo
- Editor Nanako Kawasaki
- Editor Josh Mannox
- Assistant Editor Nanako Kawasaki
- Post Production Joint Post (In-House at Wieden + Kennedy)
- Senior VFX Producer Ciaran Birks
- Head of Production John Dillon
- VFX Selected Works
- Executive VFX Producer Sean Costelloe
- Senior VFX Producer William Howland
- VFX Supervisor Peter Hodsman
- VFX Creative Director Francois Roisin
- VFX Producer Beatriz de Carvalho
- Colorist Hannibal Lang
- Assistant Colorist Man Lok Li
- Sound Designer Morgan Johnson
- Sound Field Day Sound
- Audio Mixer Noah Woodburn
- Executive Producer Leslie Carthy
- Music Walker
- Music Mr Pape
- Music The Crystal Creative
- Production Service (Manchester, UK) Sugar Free TV
- Production Service (Spain) Twenty Four Seven/Barcelona
- Designer Dylan Hayes
- Creative Director Enrico Balleri
- Creative Director Ben McLaughlin
- Director of Production (HP) Miko Cowan
- Producer Rachel Boucher
- Senior Producer Amy Berriochoa
- Senior Producer Christina Palomino
- Executive Post Producer Tina Starkweather
- Executive Creative Director Caleb Jensen
- Executive Creative Director Blair Warren
- Copywriter Tom Corcoran
- Art Director Felix Heyes
- Global Executive Producer Kerli Teo
- Executive Producer Mauricio Granado
- Senior Producer Stephane Fevrier
- Director of Production (HP) Orlee Tatarka
- Producer Sydni Chustz
- Design Director Alicia Kuna
- Global Design Director Bruno Oppido
- Global Design Director Eduardo Tallia
- Design Producer Paris Fontes-Michel
- Design Producer Maisie Plew
- Senior Designer Molly Dyson
- Senior Designer Andriws Vilela
- Designer Ronald Comoda
- Designer Maya Alvarado
- Designer Shivangi Chopra
- Designer Seongwon Kim
- Designer Ridan Arellano
- Co-Founder Sally Campbell
- Co-Founder Tim Nash
- Line Producer Julie Alford-Sawyer
- Associate Producer Drew Mardis
- Production Supervisor Jared Plotin
- Production Coordinator Camille Cotteverte
- DP Norm Li
- Post Producer Lauren Pullano
- Assistant Editor Lorna Searl
- Assistant Editor Antoine Combelles
- Assistant Editor Stephen Antonelli
- Talent Cristiano Ronaldo
- Talent Eric Cantona
- Talent Ronaldinho
- Talent Didier Drogba
- Talent LeBron James
- Talent Travis Scott
- Talent Kim Kardashian
- Talent Channing Tatum
- Talent Young Miko
- Talent Kate Scott
- Talent Kylian Mbappe
- Talent Vinicius Junior
- Talent Erling Haaland
- Talent Jason Sudeikis
- Talent Zlatan Ibrahimovic
- Talent Jorge Campos
- Talent LISA
- Talent Alexia Putellas
- Talent Cole Palmer
- Talent Virgil Van Dijk
- Talent Nico Williams / Talent
- Talent Clint419
- Talent Alphonso Davies
- Talent Central Cee
- Talent Bruno Fernandes
- Talent Tyler Adams
- Talent Jamal Musiala
- Talent Raul Jiminez
- Talent Kerolin
- Talent Federico Valverde
- Talent Saint West
- Talent Estevao Willian
- Talent Christian Caner
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Somesuch/USA
- Director Dan Streit
- Executive Producer/Managing Director Seth Wilson
- Executive Producer Ryland Burns
- Editing Trim
- Executive Post Producer Noreen Khan
- Executive Post Producer Michael Miller
- Post Producer Tatyana Alexandra
- Post Producer Polly Kemp
- Post Producer Lisee Garza
- Editor Paul Hardcastle
- Editor Lucas Raimondo
- Editor Nanako Kawasaki
- Editor Josh Mannox
- Assistant Editor Nanako Kawasaki
- Post Production Joint Post (In-House at Wieden + Kennedy)
- Senior VFX Producer Ciaran Birks
- Head of Production John Dillon
- VFX Selected Works
- Executive VFX Producer Sean Costelloe
- Senior VFX Producer William Howland
- VFX Supervisor Peter Hodsman
- VFX Creative Director Francois Roisin
- VFX Producer Beatriz de Carvalho
- Colorist Hannibal Lang
- Assistant Colorist Man Lok Li
- Sound Designer Morgan Johnson
- Sound Field Day Sound
- Audio Mixer Noah Woodburn
- Executive Producer Leslie Carthy
- Music Walker
- Music Mr Pape
- Music The Crystal Creative
- Production Service (Manchester, UK) Sugar Free TV
- Production Service (Spain) Twenty Four Seven/Barcelona
- Designer Dylan Hayes
- Creative Director Enrico Balleri
- Creative Director Ben McLaughlin
- Director of Production (HP) Miko Cowan
- Producer Rachel Boucher
- Senior Producer Amy Berriochoa
- Senior Producer Christina Palomino
- Executive Post Producer Tina Starkweather
- Executive Creative Director Caleb Jensen
- Executive Creative Director Blair Warren
- Copywriter Tom Corcoran
- Art Director Felix Heyes
- Global Executive Producer Kerli Teo
- Executive Producer Mauricio Granado
- Senior Producer Stephane Fevrier
- Director of Production (HP) Orlee Tatarka
- Producer Sydni Chustz
- Design Director Alicia Kuna
- Global Design Director Bruno Oppido
- Global Design Director Eduardo Tallia
- Design Producer Paris Fontes-Michel
- Design Producer Maisie Plew
- Senior Designer Molly Dyson
- Senior Designer Andriws Vilela
- Designer Ronald Comoda
- Designer Maya Alvarado
- Designer Shivangi Chopra
- Designer Seongwon Kim
- Designer Ridan Arellano
- Co-Founder Sally Campbell
- Co-Founder Tim Nash
- Line Producer Julie Alford-Sawyer
- Associate Producer Drew Mardis
- Production Supervisor Jared Plotin
- Production Coordinator Camille Cotteverte
- DP Norm Li
- Post Producer Lauren Pullano
- Assistant Editor Lorna Searl
- Assistant Editor Antoine Combelles
- Assistant Editor Stephen Antonelli
- Talent Cristiano Ronaldo
- Talent Eric Cantona
- Talent Ronaldinho
- Talent Didier Drogba
- Talent LeBron James
- Talent Travis Scott
- Talent Kim Kardashian
- Talent Channing Tatum
- Talent Young Miko
- Talent Kate Scott
- Talent Kylian Mbappe
- Talent Vinicius Junior
- Talent Erling Haaland
- Talent Jason Sudeikis
- Talent Zlatan Ibrahimovic
- Talent Jorge Campos
- Talent LISA
- Talent Alexia Putellas
- Talent Cole Palmer
- Talent Virgil Van Dijk
- Talent Nico Williams / Talent
- Talent Clint419
- Talent Alphonso Davies
- Talent Central Cee
- Talent Bruno Fernandes
- Talent Tyler Adams
- Talent Jamal Musiala
- Talent Raul Jiminez
- Talent Kerolin
- Talent Federico Valverde
- Talent Saint West
- Talent Estevao Willian
- Talent Christian Caner
Above: Nike's World Cup spot "is the clearest early signal of what that ambition looks like".
F1 is the most relevant recent proof point. As that sport's audience exploded, the brands that moved early and built genuine cultural fluency, recognising the younger fans and people who came to it through Netflix's Drive to Survive rather than a lifetime of track heritage, are the ones seeing real commercial return. Brands that sponsored F1 saw an average 34-point lift in purchase consideration among fans who knew they were involved. Every single one posted a lift.
The brands that will be remembered this summer started with an understanding of how their marketing investment shows up in people’s lives.
The World Cup offers the same window, at a much larger scale. Nike's Rip The Script [above] is the clearest early signal of what that ambition looks like. It doesn't try to be a Super Bowl ad, it tries to be a World Cup ad. Localised efforts for US Hispanic communities and Latin American audiences were built into the campaign's DNA as a strategic priority. That's the distinction.
The brands that will be remembered this summer started with an understanding of how their marketing investment shows up in people’s lives, their presence, distinction and relevance.
They asked the right first questions: who are we actually talking to, and how do we move people? The World Cup just makes the answer more interesting.