Christmas ads 2021: the musical view, part two
Co-founder of specialist sonic branding agency DLMDD, Sascha Darroch-Davies, continues his wry look at festive offerings.
Credits
powered by- Agency adam&eveDDB/London
- Production Company Biscuit Filmworks/UK
- Director Jeff Low
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency adam&eveDDB/London
- Production Company Biscuit Filmworks/UK
- Director Jeff Low
- Post Production Time Based Arts
- Music Theodore
- Chief Creative Officer Richard Brim
- Joint Chief Executive Officer Tammy Einav
- Creative Director Matt Gay
- Creative Molly Wilkof
- Creative Mark Shanley
- Creative Frances Leach
- Producer Sally Patterson
- Production Designer Kem White
- Audio Jon Clarke
- Talent Ashley Jensen
Credits
powered by- Agency adam&eveDDB/London
- Production Company Biscuit Filmworks/UK
- Director Jeff Low
- Post Production Time Based Arts
- Music Theodore
- Chief Creative Officer Richard Brim
- Joint Chief Executive Officer Tammy Einav
- Creative Director Matt Gay
- Creative Molly Wilkof
- Creative Mark Shanley
- Creative Frances Leach
- Producer Sally Patterson
- Production Designer Kem White
- Audio Jon Clarke
- Talent Ashley Jensen
Waitrose
Because I’m woefully out-of-step with, well, everything, apart from Viking metal and entry requirements for secondary school places in the London Borough of Wandsworth, someone had to explain to me what ‘a Karen’ was the other day.
Anyway, assuming Karen isn’t yet cancelled I think this might be Karen in this ad? It’s a wonder Karen has any friends to lie to about her mince pies given her rapaciousness and self-centred attitude towards food. F*ck off back to Watford Karen, you’re not welcome here!
Nothing left in the budget for music presumably hence employing this stock library sounding ‘jam’ on John William’s Carol of The Bells.
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Pulse Films/London
- Director Ninian Doff
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Pulse Films/London
- Director Ninian Doff
- Managing Director/Executive Producer James Sorton
- Editor Leo King
- Executive Producer Alice Clarke
- Head of Production Josh Robinson
- VFX Producer Jo Gutteridge
- Colorist Simone Grattarola
- Sound Designer Sam Ashwell
- Sound Designer Michalis Anthis
- Music Supervisor Sunny Kapoor
- Creative Director Juan Sevilla
- Creative Director Joe De Souza
- Creative Joseph Paul
- Creative Andy Parkman
- Producer Shirley O'Connor
- DP Jarin Blaschke
- Production Designer Jon Henson
- Costume Designer Selina Wong
- Casting Director Kharmel Cochrane
- VFX Supervisor Leo Weston
- Producer Olivia Ray
- Song "At Last" Etta James
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Pulse Films/London
- Director Ninian Doff
- Managing Director/Executive Producer James Sorton
- Editor Leo King
- Executive Producer Alice Clarke
- Head of Production Josh Robinson
- VFX Producer Jo Gutteridge
- Colorist Simone Grattarola
- Sound Designer Sam Ashwell
- Sound Designer Michalis Anthis
- Music Supervisor Sunny Kapoor
- Creative Director Juan Sevilla
- Creative Director Joe De Souza
- Creative Joseph Paul
- Creative Andy Parkman
- Producer Shirley O'Connor
- DP Jarin Blaschke
- Production Designer Jon Henson
- Costume Designer Selina Wong
- Casting Director Kharmel Cochrane
- VFX Supervisor Leo Weston
- Producer Olivia Ray
- Song "At Last" Etta James
Sainsbury’s
Of all the big four (or do we count Aldi and Waitrose amongst supermarket royalty these days?) Sainsbury’s win on style this year with a beautifully executed, frozen-in-time visual trick, although Amazon executed this exact treatment on this campaign a few years ago, so no points for originality here.
Etta James’ At Last provides the soundtrack, things together nicely. I wonder if they discussed re-recording this in a more contemporary style with, maybe a softly delivered, female lead vocal and stripped back instrumentation?
Probably, but W+K being W+K have the good sense not to seeing as EVERYBODY else has stripped that carcass of its every sinew.
And you can’t beat Etta James. Fact.
Credits
powered by- Agency The&Partnership/London
- Production Company CANADA/UK
- Director Realite
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency The&Partnership/London
- Production Company CANADA/UK
- Director Realite
- Editor Carlos Font Clos
- Executive Producer Kirsty Oldfield
- Senior Post Producer Phil Whalley
- Post Producer Polly Durrance
- VFX Supervisor Hugo Saunders
- Colorist Marc Morato
- HP Deborah Whitfield
- Creative Director/Founder Anthony Moore
- Music Supervisor Josh Gibbard
- Music Supervisor Sian Rogers
- Sound Engineer Mark Hills
- Managing Director Gary Simmons
- Executive Creative Director Yan Elliott
- Executive Creative Director Micky Tudor
- Creative Dan Dehlavi
- Creative Carl Storey
- Head of Integrated Production Charles Crisp
- Deputy Head of Integrated Production Rick Carter
- Producer Alfie Glover-Short
- Executive Producer Daisy Gautier
- Producer Luke Plaister
- DP Douwe Hennink
- Editor Chris Wilson / (Editor)
- CG Supervisor Tony Landais
- Shoot Supervisor/Compositor James Adamson
- Composer Matt Tamsedge
Credits
powered by- Agency The&Partnership/London
- Production Company CANADA/UK
- Director Realite
- Editor Carlos Font Clos
- Executive Producer Kirsty Oldfield
- Senior Post Producer Phil Whalley
- Post Producer Polly Durrance
- VFX Supervisor Hugo Saunders
- Colorist Marc Morato
- HP Deborah Whitfield
- Creative Director/Founder Anthony Moore
- Music Supervisor Josh Gibbard
- Music Supervisor Sian Rogers
- Sound Engineer Mark Hills
- Managing Director Gary Simmons
- Executive Creative Director Yan Elliott
- Executive Creative Director Micky Tudor
- Creative Dan Dehlavi
- Creative Carl Storey
- Head of Integrated Production Charles Crisp
- Deputy Head of Integrated Production Rick Carter
- Producer Alfie Glover-Short
- Executive Producer Daisy Gautier
- Producer Luke Plaister
- DP Douwe Hennink
- Editor Chris Wilson / (Editor)
- CG Supervisor Tony Landais
- Shoot Supervisor/Compositor James Adamson
- Composer Matt Tamsedge
Argos
We all have those songs we absolutely cannot bear because they occasion any measure of irritation, rage, vile upchuck and fantasies of slow deaths for their creators. Such is the power of music folks! For me there’s many, many of these: Savage Love, Dance Monkey, Freed From Desire, My Heart Will Go On, anything by Ed Sheeran and, Live is Life by Opus.
To make matters worse, Argos and team have decided to ‘contemporise’ this vile canticle with Ad-Trap /noun [æd-træp], the artless massacre by the advertising industry of any song older than nine years by re-imagining or remixing with groupthink and cheap beats.
Credits
powered by- Agency BBH/London
- Production Company Academy
- Director Si&Ad
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency BBH/London
- Production Company Academy
- Director Si&Ad
- Editor Final Cut/London
- Editor Joe Guest
- Post Producer Electric Theatre Collective
- Sound Factory Studios/London
- Executive Producer Simon Cooper
- Producer Ash Lockmun
- DP Erik Wilson
- Music Hywel Evans
- Chief Creative Officer Stephen de Wolf
- Creative Tom Chancellor
- Creative Shruti Veeramachineni
- Creative Marion Cohen
- Creative Kevin Travis
- Creative Director Kevin Masters
- Creative Director Christine Turner
- Creative Director Uche Ezugwu
- Executive Creative Director Helen Rhodes
- Global Chief Creative Officer Joakim Borgstrom
- Lead Creative Lawrence Bushell
- Lead Creative Luke Till
- Producer Georgina Kent
Credits
powered by- Agency BBH/London
- Production Company Academy
- Director Si&Ad
- Editor Final Cut/London
- Editor Joe Guest
- Post Producer Electric Theatre Collective
- Sound Factory Studios/London
- Executive Producer Simon Cooper
- Producer Ash Lockmun
- DP Erik Wilson
- Music Hywel Evans
- Chief Creative Officer Stephen de Wolf
- Creative Tom Chancellor
- Creative Shruti Veeramachineni
- Creative Marion Cohen
- Creative Kevin Travis
- Creative Director Kevin Masters
- Creative Director Christine Turner
- Creative Director Uche Ezugwu
- Executive Creative Director Helen Rhodes
- Global Chief Creative Officer Joakim Borgstrom
- Lead Creative Lawrence Bushell
- Lead Creative Luke Till
- Producer Georgina Kent
Tesco
And the winner for best supermarket ad this year goes to Tesco!
Funny, heart-warming dynamic, artfully crafted and a little reminder that to be vaccinated is to be free… sort of. (But seriously, if you still haven’t, stop being a dickhead and go do it now please.)
Delighted to hear that Queen’s original 1978 recording is employed (again) rather than attempting a seasonal re-record. See marketeers, it’s OK to use old music sometimes?
Credits
powered by- Agency McCann/Manchester
- Production Company Psyop
- Director Todd Mueller
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency McCann/Manchester
- Production Company Psyop
- Director Todd Mueller
- Executive Producer Tracey Cooper
- Editor Marshall Street Editors (MSE)
- Audio Wave Studios/London
- Editor John Mayes
- Director Kylie Matulick
- Chief Executive Producer Justin Booth Clibborn
- Director Kyle Cassidy
- Executive Producer - Live Action Noah Goldsmith
- Executive Producer Joe Maggiore
- Producer Paz Parasmand
- DP Matt Fox / (DP)
- Sound Designer Parv Thind
- Chief Creative Officer Dave Price / (Executive Creative Director)
- Creative Andy Fenton
- Creative Clive Davis
- Head of TV Lucy Moore
Credits
powered by- Agency McCann/Manchester
- Production Company Psyop
- Director Todd Mueller
- Executive Producer Tracey Cooper
- Editor Marshall Street Editors (MSE)
- Audio Wave Studios/London
- Editor John Mayes
- Director Kylie Matulick
- Chief Executive Producer Justin Booth Clibborn
- Director Kyle Cassidy
- Executive Producer - Live Action Noah Goldsmith
- Executive Producer Joe Maggiore
- Producer Paz Parasmand
- DP Matt Fox / (DP)
- Sound Designer Parv Thind
- Chief Creative Officer Dave Price / (Executive Creative Director)
- Creative Andy Fenton
- Creative Clive Davis
- Head of TV Lucy Moore
ALDI
Kevin the Carrot makes his return in a pun-stoppable piece mostly about a banana but ultimately about being kind at Christmas. It’s a very nicely executed piece of film, possibly their best yet? Who knows, there have been some egg-cellent efforts previously! Sorry.
Another fine recording from comrade G. Farley (aka the Father Christmas of seasonal ad music). The Pogues have seen this one synced every year for the last 12 on the trot now. Which goes to show that for brands it's challenging to claim 'ownership' of a Christmas song without long-term commitment to it.
Credits
powered by- Agency Impero/London
- Production Company Black Dog Films/London
- Director Jade Ang Jackman
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Impero/London
- Production Company Black Dog Films/London
- Director Jade Ang Jackman
- Executive Producer Martin Roker
- Editor Matt Newman
- Post Production Cheat
- Executive Creative Director Michael Scantlebury
- Creative Director Alastair Mills
- Design Director Longbin Li
- Creative Zara Bennett
- Senior Producer Clare Thomson
- Producer Manoela Chiabai Farani
- DP Olan Collardy
- Production Designer Ranya El-refaey
- Creative Josh Mansell
- Designer Jimmy Leung
- Designer Cristina Corredor
Credits
powered by- Agency Impero/London
- Production Company Black Dog Films/London
- Director Jade Ang Jackman
- Executive Producer Martin Roker
- Editor Matt Newman
- Post Production Cheat
- Executive Creative Director Michael Scantlebury
- Creative Director Alastair Mills
- Design Director Longbin Li
- Creative Zara Bennett
- Senior Producer Clare Thomson
- Producer Manoela Chiabai Farani
- DP Olan Collardy
- Production Designer Ranya El-refaey
- Creative Josh Mansell
- Designer Jimmy Leung
- Designer Cristina Corredor
George at ASDA
Excellent to see a big (sub)brand championing the LGBTQ+ community at this time of year. I’m surprised more haven’t. Although, one can only imagine the endless braying from the Twitter echo-chambers and Daily Mailers would the season be awash with such atrocities.
Anyway, despite the fabulousness throughout this piece, the musical accompaniment doesn’t match up, potentially qualifying for the most uninspired lyric sheet of all time:
Da da da d d da da urgh
Da da da d d da da ahh
Da da da d d da da umph
Da da da d d da da cool
Can we suggest the gifting of a thesaurus this Christmas?