Cannes Contenders: Global
For a global view, we need a global statesperson, so who better than DDB President and Global Chief Creative Officer Chaka Sobhani to pick the campaigns that she thinks might pull in some Lions this year.
Pop Tarts First Edible Mascot
The Super Bowl is the most well-known American sporting event, so who thought it would be beaten by an edible mascot in the College Bowl?
Corporate sports sponsorship isn’t known for its daring, but this stunt put the product and the brand at the very heart of the event. In true style, the Strawberry Pop Tart mascot comes parading on, gee-ing up the crowd, teams (and even refs!) throughout the game, only to ceremoniously be lowered into a giant toaster to meet its delicious demise at the end.
That might have been enough, but to have the winning team gorge on its cooked fruity body at the end of the broadcast is genius.
A great example of how to actually become a headlining part of the event you’re sponsoring.
Credits
powered by- Agency Weber Shandwick/Chicago
- Production Company Independent Graphics
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Credits
powered by- Agency Weber Shandwick/Chicago
- Production Company Independent Graphics
Credits
powered by- Agency Weber Shandwick/Chicago
- Production Company Independent Graphics
Marmite Smuggler
Marmite has one of the most long established and successful platforms but how it continues to keep coming up with fresh and inventive ways to show the obsessive love or hate of the product is beyond me.
Following on from the brilliant Baby Scan last year, this year the brand focuses on delivering to those unfortunate ex-pats in NYC who can’t get a hold of their favourite jar. Recruiting genuine Marmite lovers, jars were covertly 'smuggled' into the Big Apple, where stickers around the city gave out a text number deprived lovers could ping and receive an anonymous drop-off.
Utterly barmy. And utterly brilliant.
Credits
powered by- Agency adam&eveDDB/London
- Production Company SMUGGLER/London
- Director Henry-Alex Rubin
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Credits
powered by- Agency adam&eveDDB/London
- Production Company SMUGGLER/London
- Director Henry-Alex Rubin
- Ad Agency adam&eveDDB/New York
- Edit Company Cabin Editing Company
- Audio Post Factory Studios/London
- Post Company Untold Studios
- Chief Creative Officer Richard Brim
- Executive Creative Director Antony Nelson
- Executive Creative Director Mike Sutherland
- Executive Creative Director David Brown
- Executive Creative Director Daniel Bonder
- Creative Director Feargal Ballance
- Creative Director Matt Gay
- Creative Clarissa Dale
- Creative Stacie Larsen
- Creative Chris Brailey
- HP Nikki Cramphorn
- Associate Producer Christopher Lane
- Producer Sidney Arthur
- Editor Talia Pasqua
- Editor Alexandra Hooker
- Sound Designer/Audio Mixer James Utting
- Audio Producer Beth Massey
- Chief Creative Officer Neil Davies
- Executive Producer Ian Berry / (Executive Producer)
- Producer George Reid
Credits
powered by- Agency adam&eveDDB/London
- Production Company SMUGGLER/London
- Director Henry-Alex Rubin
- Ad Agency adam&eveDDB/New York
- Edit Company Cabin Editing Company
- Audio Post Factory Studios/London
- Post Company Untold Studios
- Chief Creative Officer Richard Brim
- Executive Creative Director Antony Nelson
- Executive Creative Director Mike Sutherland
- Executive Creative Director David Brown
- Executive Creative Director Daniel Bonder
- Creative Director Feargal Ballance
- Creative Director Matt Gay
- Creative Clarissa Dale
- Creative Stacie Larsen
- Creative Chris Brailey
- HP Nikki Cramphorn
- Associate Producer Christopher Lane
- Producer Sidney Arthur
- Editor Talia Pasqua
- Editor Alexandra Hooker
- Sound Designer/Audio Mixer James Utting
- Audio Producer Beth Massey
- Chief Creative Officer Neil Davies
- Executive Producer Ian Berry / (Executive Producer)
- Producer George Reid
Sammakorn Sammakorn NOT Sanpakron
For all the new ways film can now turn up, there’s still a place for big fuck off epics yarns…and it doesn’t get more epic than Sammakorn NOT Sanpakron by Sammakorn.
When I say epic, I don’t mean dragons or car chases or a tonne of CG, more a beautifully crafted film where every component part is on point, from the script, performances to edit. Funny is difficult at the best of times but you’d never believe a housing development company could create such a masterpiece.
Thailand has a humour so unique and original, and who would have thought an idea based on the fact that the brand name confusingly sounds similar to the name of the Thai revenue office could result in something so magical.
Credits
powered by- Agency Choojai and Friends/Bangkok
- Production Company Phenomena
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Credits
powered by- Agency Choojai and Friends/Bangkok
- Production Company Phenomena
- Post Production Matad Editing House
- Sound Banana Sound Studio
Credits
powered by- Agency Choojai and Friends/Bangkok
- Production Company Phenomena
- Post Production Matad Editing House
- Sound Banana Sound Studio
Cereza Poker Promos De Barrio
Promos are difficult to make stand out at the best of times but particularly in the Columbian market where there are over 500,000 convenience stores with literally wall-to-wall messages in store.
Using a simple design tool, Promos de Barrio by Cereza Poker allowed shop owners to choose their own assets and create beautifully branded and consistent promos for the brand.
Simple yet so effective and smart.
Credits
powered by- Agency DAVID/Bogota
- Production Company Tonka
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Credits
powered by- Agency DAVID/Bogota
- Production Company Tonka
- Ad Agency draftLine/Bogota (In-House at Anheuser-Busch InBev)
- Chief Creative Officer Pancho Cassis
- Copywriter Sebastian Suarez Gnecco
- Art Director David Beltran
- Art Director Javier Caseres
- Art Director Luis Fernando Luque
- Animator Juan Rivadeneira
Credits
powered by- Agency DAVID/Bogota
- Production Company Tonka
- Ad Agency draftLine/Bogota (In-House at Anheuser-Busch InBev)
- Chief Creative Officer Pancho Cassis
- Copywriter Sebastian Suarez Gnecco
- Art Director David Beltran
- Art Director Javier Caseres
- Art Director Luis Fernando Luque
- Animator Juan Rivadeneira
Modibodi I’m Dying Inside
To launch their Modibodi period wear to Gen Z, Modibodi launched their first ever period drama on TikTok.
With a cracking cast and incorporating un-hackneyed storylines featuring topics Gen Z actually give a shit about, this is a great example of understanding the platform you’re creating for and the audience you’re serving.
Brand entertainment that puts entertainment first.
Credits
powered by- Agency Howatson+Company/Sydney
- Production Company FINCH
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Credits
powered by- Agency Howatson+Company/Sydney
- Production Company FINCH
Credits
powered by- Agency Howatson+Company/Sydney
- Production Company FINCH