Are you not entertained? The secret to levelling up your Super Bowl creative
The Super Bowl can be a huge moment for a brand, and just as big for a creative, but how do you make sure you and your brand are hitting the creative heights, year after year? Jason Schragger, CCO at Saatchi & Saatchi, gives his top three tips.
As advertisers, we’re used to working behind the scenes and sometimes in the shadows, obsessing over words and images that we hope don’t fall on deaf ears.
But, once a year, that dynamic is turned on its head and advertising becomes the culture. Suddenly the world is hanging on our every word.
Once a year advertising becomes the culture. Suddenly the world is hanging on our every word.
Not only can the Super Bowl be one of the biggest moments in a brand’s life, it can also be one of the biggest moments in your career; 60 seconds that can change your work life. And now, thanks to the popularity of our third hand (also known as the small smartphone screen in our pocket), the Super Bowl is more important than ever.
It stands as one of the last shared experiences in American culture. One of the few times a year when people look up at the TV instead of down at their phone when the commercials start rolling.
Above: The Super Bowl is one of the few times when people watch the TV when commercials are on.
The Super Bowl is a time when you can expect people to talk about advertising and brands just as much as the sport itself, with feedback on your work coming in almost instantly. You can debut your ad during the big game, then head to Twitter or Reddit to see in real-time how your ad resonated. So, where does that leave us?
Some years may not perform as well as others. But it’s important to keep taking those leaps regardless.
It leaves us with the drive to outperform ourselves. It’s a hard thing to do, but the key to your creative hitting is simpler than you might think. Here are my three tips for marketers who are looking to make a splash with creative year after year.
1. Be ruthless in your methods
The Super Bowl is your moment to highlight the most critical thing you want to say to your audience. You can’t do everything in a Super Bowl spot, so you need to be cutthroat about cutting out the messages and separate distractions from the core of your idea.
You also need to find the balance between what you want to say and what people actually want to hear, so go big in your message. I’ve learned at Saatchi, with Super Bowl spots almost yearly, that true year-over-year growth is hard to achieve and there are different ways to measure it. But, at the baseline, if you set your sights high each year, you’ll continue proving your creativity and value as a brand. But know that, even with taking risks, some years may not perform as well as others. But it’s important to keep taking those leaps regardless.
Credits
powered by- Agency Wieden + Kennedy/New York
- Production Company O Positive
- Director Jim Jenkins
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Wieden + Kennedy/New York
- Production Company O Positive
- Director Jim Jenkins
- Art Director NJ Placentra
- Assistant Producer Kiara Hidalgo
- Copywriter Alex Ledford
- Creative Director Brandon Henderson
- Creative Director John Parker
- Executive Creative Director Karl Lieberman
- Executive Producer Temma Shoaf
- HP Nick Setounski
- Local Production The Otto Empire
- Executive Producer Marc Grill
- Executive Producer/Founding Partner Ralph Laucella
- DP Claudio Miranda
- Editor Dave Anderson / (Editor)
- Executive Producer/Partner Sila Soyer
- Post Producer Andrew Cravotta
- Executive Producer/VFX Verity Grantham
- Executive Producer Rachael Trillo
- Associate Producer Jake Fritz
- Colorist Tim Masick
- Senior Producer Kevin Breheny
- Audio Mixer/Partner Tom Jucarone
- Executive Producer Mike Gullo
- Producer Becca Falborn
- President/Founder Sara Matarazzo
- Executive Producer Stephanie Pigott
- Music Coordinator Marissa Hernandez
- Sound Designer Joseph Fraioli
- End Card Digital Domain
- Senior VFX Producer Clairellen Wallin
Credits
powered by- Agency Wieden + Kennedy/New York
- Production Company O Positive
- Director Jim Jenkins
- Art Director NJ Placentra
- Assistant Producer Kiara Hidalgo
- Copywriter Alex Ledford
- Creative Director Brandon Henderson
- Creative Director John Parker
- Executive Creative Director Karl Lieberman
- Executive Producer Temma Shoaf
- HP Nick Setounski
- Local Production The Otto Empire
- Executive Producer Marc Grill
- Executive Producer/Founding Partner Ralph Laucella
- DP Claudio Miranda
- Editor Dave Anderson / (Editor)
- Executive Producer/Partner Sila Soyer
- Post Producer Andrew Cravotta
- Executive Producer/VFX Verity Grantham
- Executive Producer Rachael Trillo
- Associate Producer Jake Fritz
- Colorist Tim Masick
- Senior Producer Kevin Breheny
- Audio Mixer/Partner Tom Jucarone
- Executive Producer Mike Gullo
- Producer Becca Falborn
- President/Founder Sara Matarazzo
- Executive Producer Stephanie Pigott
- Music Coordinator Marissa Hernandez
- Sound Designer Joseph Fraioli
- End Card Digital Domain
- Senior VFX Producer Clairellen Wallin
Above: Bud Light popularised a catchphrase to good effect in their Super Bowls spots.
2. Don’t overcomplicate it
If you want your creative to outperform last year, don’t use this as a time to be niche. Nobody wants to be the only one at their Super Bowl party who didn’t relate to the ad. Hinge on universal experiences. Be vigilant in your pursuit of simplicity.
Nobody wants to be the only one at their Super Bowl party who didn’t relate to the ad.
Don’t make jokes about people, instead enlist collective experiences like catchphrases to unite people in a moment of solidarity. Every year, make sure everyone in the room gets it. One successful ad from Saatchi & Saatchi is the Tide It’s a Tide Ad. It’s a simple moment that resonated with a lot of people because it played with familiar tropes.
Credits
powered by- Agency Saatchi & Saatchi/New York
- Production Company Rattling Stick/USA
- Director Traktor
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-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Saatchi & Saatchi/New York
- Production Company Rattling Stick/USA
- Director Traktor
- Associate Creative Director Kiko Mattoso
- Associate Creative Director Rafael Segri
- Producer Danielle Hallack
- Art Director Erin Evon
- Art Director Jacopo Biorcio
- Associate Creative Director Max McKeon
- Chief Creative Officer Javier Campopiano
- Copywriter Blake Morris
- Creative Director Daniel Lobaton
- Creative Director Chad Baker
- Executive Creative Director Paul Bichler
- Executive Producer Dani Stoller
- HP Integrated Jenny Read
- Senior Art Director Maddy Kramer
- Producer Gloria Pitagorsky
- Producer Andi Lewis
- Producer Sasha Awn
- Producer Jackie James
- Executive Producer Joe Biggins
- Executive Producer Jeff Shupe
- Executive Producer Richard Ulfvengren
- Head of Production Richard McIntosh
- DP Hoyte van Hoytema
- Production Designer Tom Hartman
- Producer Rachel Curl
- Editor/Partner Jeff Ferruzzo
- Post Producer Andrew Cravotta
- Assistant Editor Jeff Lopus
- Executive Producer/Partner Sila Soyer
- Producer Marcus Speaker
- Creative Director Becky Porter
- VFX Supervisor James Allen / (VFX Supervisor)
- Executive Producer Anastasia von Rahl
- Composer Alexis Estiz
- Audio Mixer/Partner Philip Loeb
- Colorist Tom Poole
- Talent David Harbour
- Music Producer Courtney Jenkins
Credits
powered by- Agency Saatchi & Saatchi/New York
- Production Company Rattling Stick/USA
- Director Traktor
- Associate Creative Director Kiko Mattoso
- Associate Creative Director Rafael Segri
- Producer Danielle Hallack
- Art Director Erin Evon
- Art Director Jacopo Biorcio
- Associate Creative Director Max McKeon
- Chief Creative Officer Javier Campopiano
- Copywriter Blake Morris
- Creative Director Daniel Lobaton
- Creative Director Chad Baker
- Executive Creative Director Paul Bichler
- Executive Producer Dani Stoller
- HP Integrated Jenny Read
- Senior Art Director Maddy Kramer
- Producer Gloria Pitagorsky
- Producer Andi Lewis
- Producer Sasha Awn
- Producer Jackie James
- Executive Producer Joe Biggins
- Executive Producer Jeff Shupe
- Executive Producer Richard Ulfvengren
- Head of Production Richard McIntosh
- DP Hoyte van Hoytema
- Production Designer Tom Hartman
- Producer Rachel Curl
- Editor/Partner Jeff Ferruzzo
- Post Producer Andrew Cravotta
- Assistant Editor Jeff Lopus
- Executive Producer/Partner Sila Soyer
- Producer Marcus Speaker
- Creative Director Becky Porter
- VFX Supervisor James Allen / (VFX Supervisor)
- Executive Producer Anastasia von Rahl
- Composer Alexis Estiz
- Audio Mixer/Partner Philip Loeb
- Colorist Tom Poole
- Talent David Harbour
- Music Producer Courtney Jenkins
Above: Tide's It's a Tide Ad brilliantly played with familiar advertising tropes to earn success at the Super Bowl.
3. Check your sales mindset at the door
No one wants to be hard sold on the Super Bowl, instead, they want to be entertained by your brand. Take advantage of the moment by letting your audience have some fun. Some of the most stand-out ads to me last year were the ones featuring celebrities in some silly moments. People love the use of star power (if you can) and simplicity. Making superstars act out of character and be themselves for a lighthearted moment always proves to be successful, year after year.
Because a Super Bowl spot is such a big investment there is a temptation to do too much. Resist that temptation.
People often make the mistake of trying to do too much in the moment, you usually can’t shift opinion, sell, roll out a new product, make niche jokes and target a new audience all at once. Because a Super Bowl spot is such a big investment there is a temptation to do too much. Resist that temptation. Take a step back and use this moment of attention to connect with people in the most entertaining way possible. The beauty of Super Bowl advertising is taking what a brand wants to say and making it something people want to hear.
I counsel my teams on seeing this as the biggest moment of their career. The Super Bowl is a once-a-year event that has the ability to influence people like no other. People are still talking about Super Bowl ads from the 1980s, so embrace the challenge and you will find the growth you’re looking for in the end.