Percipient thought-pieces and opinions from some
of
the world’s most respected industry leaders.
David Attenborough turned 99 yesterday, and with decades behind him of looking out for planet Earth, he is rightly celebrated. But who's looking out for humans in the ever evolving digital landscape, asks Hester Bates, Chief Marketing Officer at TrueRights.
Clive Russell, graphic designer and founder of agency This Ain’t Rock’n’Roll, and Dave Bell, Creative Partner of KesselsKramer, discuss their work on what is arguably the most crucial marketing comms in our species’ history – the ‘branding’ of environmental movements Extinction Rebellion and Ocean Rebellion.
From shows like Drive to Survive to inclusive social media trends, sports fandom is evolving, embracing new audiences and giving brands new ways to engage. Alex Brown, Head of Sport & Entertainment (UK) at EssenceMediacom, investigates.
Chris Rhodes, founder and creative director of Experience, is on a mission to make sustainable production a priority. Here, he discusses the innovative techniques driving greener production, how client expectations are changing, and why responsible set design is just good business.
We've all heard those sound-a-likes (often in supermarkets) that take a popular song and cheaply butcher it. A great re-record of a classic track is nothing like that, says GAS Music's Creative Director Greg Owens; they're "a creative act of stewardship" that require expertise and artistry.
As well as being a disruptor of traditional creative culture and an ethical minefield, artificial intelligence is also – unbeknownst to many – having a huge impact on our climate. Freelance Group Creative Director Ben Kay takes time away from LinkedIn to explain AI's sustainability shockwaves.
Jessie Nagel and Julian Katz, founders of Green The Bid, a volunteer organisation promoting sustainability in production, explore the burning issue of environmental breakdown and the language we use – and need to use – when we talk about it.
Starting or maintaining a sustainable approach to production can feel daunting but, says Carly Stone, Founder and MD at Planet Positive Production, it doesn't have to be. Small changes alongside a big effort can make a lot of constructive noise.
Whether it's Harry Potter, the MCU, Stranger Things or anything in between, fans want to feel connected to the things they love. Michelle Du Prat, Strategy Director and Co-Founder at Household, looks at how immersive experiences can offer more for those fans, and the brands they serve.
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